谎言的诱惑

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

肿瘤科大夫周永阳，因为一场意外晕倒，醒来后他发现自己可以看到别人的生命倒计时。 　　他让只有三天剩余的患者放弃治疗，却被其家属泼水。他目睹了一场街头抢劫，亲眼看到只剩一分钟寿命的劫匪被警察击毙。 　　小李、小芳、东东，他的神秘技能到底能不能拯救他们？

本作の主人公は、大人になりきれない30歳の公立中学校教師・市川。彼が担任を受け持つクラスの生徒数十人が校則への抗議として髪を金色に染めて登校し、学校中が大騒ぎになるさまが描かれる。

本片讲述了重案组组长张晨峰被余建明陷害成杀人凶手后，张晨峰被捕后，在刑侦专家周杨与重案组成员的努力 下，成功将真正的连环杀人案的 凶手缉拿归案的故事。