恶习不改
콘도분양사업으로暂无内容큰暂无内容성공을暂无内容거둔暂无内容'이연무'暂无内容회장은暂无内容자신의暂无内容부를暂无内容이용해暂无内容국회위원暂无内容선거에暂无内容출마하려는暂无内容포부를暂无内容가지고暂无内容있다.暂无内容이미暂无内容한暂无内容차례暂无内容낙선한暂无内容경험이暂无内容있는暂无内容그로서는暂无内容당의暂无内容공천을暂无内容받기暂无内容위해暂无内容물불을暂无内容가리지暂无内容않고暂无内容적극적인暂无内容로비활동을暂无内容벌인다.暂无内容그러던暂无内容어느暂无内容날,暂无内容분양사업의暂无内容실질적인暂无内容업무를暂无内容총괄하고暂无内容있으며暂无内容이회장의暂无内容정부이기도暂无内容한暂无内容'서하'라는暂无内容여성과의暂无内容부적절한暂无内容관계를暂无内容폭로하겠다는暂无内容'이상두'라는暂无内容남자가暂无内容나타나면서暂无内容이회장의暂无内容정계진출을暂无内容향한暂无内容꿈은暂无内容위기를暂无内容맞게暂无内容되고,暂无内容이상두를暂无内容만난暂无内容며칠暂无内容뒤暂无内容이회장이暂无内容자신의暂无内容승용차暂无内容안에서暂无内容시체로暂无内容발견되는暂无内容사건이暂无内容발생하는데...
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等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
对鱼的布道
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