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苌山虎
廉晶雅,朴赫权,申隣雅,李俊赫,方柔雪,许真,李律,李在恩严惩
瑞恩·菲利普,泰格·诺塔洛,乔伊芙·德雷克,Hakim Callender,詹姆斯·杜蒙特,Stephen Louis Grush,拉斯·拉索,Ian Barford,Ramona Tyler,Skipper Landry,Heidi Brook Myers,Michael Boyne,Forrest Forte,Katie Sills,Zac Cino校正单元
Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齐亚德·阿巴扎,贝拉·拉姆齐,乔纳森·菲利普斯,艾莉森·马丁·琼斯 Alison Martin Jones挽救计划
瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奥尔蒂斯,莱昂内尔·博伊斯,梁振邦,米拉娜·薇恩翠,普里亚·坎萨,利兹·金斯曼,马拉基·卡比,梅丽尔·斯特里普,尤妮斯·胡特哈特,雷·波特,达米安·德·弗罗贝维尔,安妮勒·奥拉莱,米娅·索特里乌,巴斯蒂安·安东尼奥·富恩特斯,爱丽丝·布里塔因,玛雅·伊娃·侯赛因,迈克尔·阿金绥尔,特拉维斯·杰,杰弗里·兰布,保罗·兰伯特,奥赖恩·李,亚伦·尼尔,米歇尔·格里尼奇,伯恩哈德·舒茨“骑”逢对手
那馨,李梦男,任悦鸣,庞统,闫震宁,陈家葆神秘科学影院3000
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基里安·墨菲,丽贝卡·弗格森,蒂姆·罗斯,苏菲·兰朵,奈德·丹内利,派克·李,伊恩·佩克,杰伊·利库戈,巴里·基奥恩,斯蒂芬·格拉汉姆,萨米·乔纳斯·希尼,鲁比·阿什伯恩·瑟金斯,山姆·贝克-琼斯,卡斯珀·希尔顿-希勒,马丁·安格鲍尔,马克·威尔金森,托马斯·阿诺德,安迪·M·米利根,罗利·威尔逊,马克斯·凯文汉姆1940年的伯明翰，在第二次世界大战的混乱中，汤米·谢尔比（基里安·墨菲 饰）从自我放逐中回归，直面着迄今为止最具破坏性的清算。家族和国家的未来岌岌可危，汤米必须面对自己心中的恶魔，并选择是直面它还是将其毁灭。
我很在乎
裴淳华,彼特·丁拉基,艾莎·冈萨雷斯,黛安·韦斯特,克里斯·梅西纳,小伊塞亚·维特洛克,梅肯·布莱尔,艾丽西亚·维特,达米安·杨,尼古拉斯·罗根,利兹·恩格,乔治亚·莱曼,克里斯·埃弗里特,何塞·冈斯·阿尔维斯,凯文·芬内西,珍妮尔·费格利,杰米·加扎里安,阿德里安·M·蒙波因特玛拉（裴淳华 Rosamund Pike 饰）经营着一家监护人公司，她专门寻找身体情况欠佳同时又无依无靠的老年人下手，通过并不是那么合法的手段令自己成为他们的法定监护人，将他们送进疗养院，之后便可接手和变卖他们的财产和房产，再将所得据为己有。 某日，玛拉将下一个“吞噬”的目标放在了一位名叫珍妮弗（黛安娜·维斯特 Dianne Wiest 饰）的老太太身上，经调查，珍妮弗没有任何的亲人，同时又拥有着价值不菲的遗产，简直就是他们的最佳“肥羊”。在一番操作之后，珍妮弗被没收手机关进了疗养院，但此时的玛拉和她的恋人兼合伙人弗兰（艾莎·冈萨雷斯 Eiza González 饰）并不知道的是，她们惹上了一个不该惹，也不能惹的人。
求药
何一诺,刘平,李思韵,孛玺宇,胡轶凡,孙梓屹,徐丹,王成,冯丹影片讲述父亲张释全因过失导致女儿身亡后误入邪教，试图通过求取神药救治重病儿子，在目睹妻子遭受邪教迫害后幡然醒悟，最终联合妻子揭露邪教并将其绳之以法，使儿子获得正规医疗救治的故事。
梦乡2019
芬恩·科尔,玛格特·罗比,崔维斯·费米尔,凯瑞·康顿,达比·坎普,罗拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·贝里,加内特·赫德兰,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保罗·布特,埃布·罗提么,雅各布·布朗,弗兰西斯·李·麦克凯恩,布鲁斯·麦金托什这部新片名为《梦乡》（Dreamland），由曾在圣丹斯电影节摘得评审团特别奖的导演Miles Joris-Peyrafitte执导。故事背景设定在20世纪30年代的美国，经济萧条和沙尘暴肆虐着美国的普通百姓，一个15岁的男孩为了高额的赏金开始漫漫追捕路，他的目标正是玛歌特·罗比饰演的女劫匪。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.