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未知土地
约克·马哈尼,Shirley Patterson,威廉·雷诺兹,亨利·布兰登Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.
阿凡达:火与烬
萨姆·沃辛顿,佐伊·索尔达娜,西格妮·韦弗,史蒂芬·朗,奥娜·卓别林,大卫·休里斯,凯特·温斯莱特,贝利·巴斯,吉奥瓦尼·瑞比西,杰梅奈·克莱门特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,乔·大卫·摩尔 ,杰克·尚皮永,马特·杰拉德,科斯顿·约翰,菲利普·盖廖,布里坦·道尔顿,特里尼蒂·布利斯,小杜安·埃文斯影片聚焦杰克·萨利与奈蒂莉一家的命运起伏,在前作的情感余波之上,深刻描绘一个家族在战火中如何成长、并共同守护血脉相连的情感纽带的历程,从而将故事推向更具张力的全新维度。此外,潘多拉的全新领域也即将揭晓——观众将首次邂逅“风之商人”这个崇尚和平的全新游牧民族,他们乘坐独特的浮空生物飞船穿梭于各部落间,交易货物、传递信息。 而更具颠覆性的是“灰烬族”的登场,这个以掠夺为生、性情凶猛的族群,与大地之母爱娃之间有着深刻的矛盾。他们的出现,将撕开潘多拉不为人知的黑暗传说。当弑亲之仇与部落恩怨交织,潘多拉的命运悬于一线——在这场跨文明的复仇之战中,人类与纳威族将如何抉择,才能真正守护各自的家园与未来?
罪生咒
与丈夫离婚后,Alice必须承担起单亲母亲的全部责任,照顾她全心全意爱着的儿子August,一个好奇的小男孩。他从小就对A、他的父亲和他自己的故事充满疑问。就连他的母亲也从未谈起过他的父亲,August15岁那年,神秘的故事开始一点一点地跟随他。他父亲生前的嘱托成为August从诺拉舞的秘密中发现恐怖的原因。在试图让他认识到自己的业力同时,Alice相信理性和正义。Alice竭尽全力拯救她所爱的儿子。但她越是反抗并带领August远离现实,诡异和奇怪的事件不断升级,直到August陷入危险。决定返回寻找过去的真相。August生命危在旦夕,当Lambam家的门打开时,里面的木桩从过去一直建到了现在,与她一起打开的是Lambam家的老管理员Cherd叔叔,他知道整个故事。业力和所欠的誓言已经开始要求偿还
如来神掌2020
邹兆龙,巫迪文,唐菲,黄一飞龙剑北因为要筹钱救自己病重的妹妹,在一次机缘巧合之下,接触到神秘组织黑羽会,黑羽会不断在做人体实验,企图造出拥有超能力的改造人。为了钱,龙剑北接受超能力改造。由于控制不了体内的超能力,龙剑北拜了一位老者为师,学习驾驭超能力,学会了如来神掌,并结识了一位武林中的名门正派,二人一同上路,展开了各种紧张刺激的冒险……
我的同桌是极品
宋晨,苑乔王元娥(苑乔 饰)一直以来都深深的爱慕着名为陈喆的男生,可是,王元娥知道自己非常的普通,和在校园里闪耀着耀眼光芒的陈喆相去甚远,所以选择将这份感情深深的埋藏在心底。单求胥的父亲将儿子送进了王元娥和陈喆所在的班级之中,单求胥的目的很简单,那就是混到顺利毕业,然后出国追求自己的自由自在的人生。 一次偶然之中,王元娥和单求胥之间爆发了争吵,但也正因为如此,单求胥得以走进了王元娥的内心,发现了她单纯善良的一面,并为此深深着迷。可是,王元娥的全部心思都挂在了陈喆的身上,这让单求胥非常的苦恼。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster