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亚历山德拉·玛丽亚·拉娜,大卫·史崔梭德,安娜·赫尔曼,多加居·雷尔,鲁里克·吉斯拉松,Kerim Waller偷心响叮当
奥利维亚·霍尔特,康纳·斯温德尔,彼得·塞拉菲诺威茨,露茜·彭奇,帕皮·德雷顿,艾德·基尔,詹姆斯·德莱顿,卡伦姆·西维耶,Diane Spencer,Alara-Star Khan,盖·罗宾斯,Elizabeth Bower,皮埃尔·伯格曼,Aylin Scott,斯图尔特·惠兰,Michael Salami,安娜贝尔·库塔伊,泰勒·沙利文,Belal Sabir,Brooke Henzell暗杠
梁爽,李正国钻石般的她
路易莎·拉涅瑞,杰丝敏·特丽卡,斯特凡诺·阿科尔西,卢卡·巴尔巴罗萨,萨拉·博西,洛雷达纳·卡纳塔,杰皮·库奇阿里,安娜·费泽蒂,奥罗拉·乔维纳佐,妮可·吉玛多,米莱娜·曼奇尼,维尼乔·马尔基奥尼,葆拉·米纳乔尼,爱多阿多·普尔加托里,卡尔米内·雷卡诺,艾莱娜·索菲亚·里奇,卢妮塔·萨维诺,凡妮莎·斯卡莱拉,卡拉·西格诺里斯,卡夏·斯穆特尼亚克开棺2025
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维多利亚·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃尔夫冈·塞尔尼,Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦莱丽娅·德米特里耶娃,Pavel Dorofeev,米克哈尔·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯维特兰娜·伊万诺娃,玛尔塔·蒂莫菲娃,尤里·库琴科,叶甫盖尼·米罗寄宿房
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瓢虫少女特别篇：巴黎故事
他们来自一个一切都颠倒的平行宇宙：瓢虫和黑猫的拥有者，暗影瓢虫（ShadyBug）和黑爪（Claw Noir），是恶棍，而蝴蝶的拥有者，赫斯佩利亚（Hesperia），是一个超级英雄。瓢虫（Ladybug）和黑猫（Cat Noir）将不得不帮助赫斯佩利亚抵御他们邪恶的双胞胎的攻击，并阻止他们夺取蝴蝶奇迹（Butterfly Miraculous）。我们的英雄们能否也帮助赫斯佩利亚并让暗影瓢虫和黑爪成为更好的人呢？
黑羊
克里斯·法利,David Spade,Tim MathesonAl（提姆·麦锡森 Tim Matheson 饰）是个十分被看好的州长候选人，很怕因为他的笨蛋老弟Mike（克里斯·法雷 Chris Farley 饰）蒙羞，于是雇了Steve（大卫·斯佩德 David Spade 饰）来看管Mike以免他出什么乱子，从这一刻起就状况百出、 笑料不断。 全片就像是一个喜剧大杂烩，让您捧腹大笑，跌破眼镜。
荒村怪谈
李文豪,杨雅涵,张萌萌,钟云鹏,贺颖怡,沈竹,王文采,苏禹铭,李朋霏,刘君豪规则怪谈！鬼村见鬼！千年荒村自古有＂人鬼相处规则＂。青年男女结伴夜闯阴山鬼林，破坏规则，导致鬼灵还魂，鬼啸瘆人，鬼影骇人，鬼杀夺命！一个美艳女子突然被鬼现锁喉，另一个精壮青年又被鬼爪掏心……阴风阵阵，尖叫四起，一场排队送人头的祭献大戏阴森上演，生者想死无门，却又无处可逃！究竟是千年的冤魂冲破魔咒到人间索血啜饮？还是古老地狱中逃出的怪兽掠杀食人？土匪也惊恐逃亡，猎手也慌不择路！夜半的茅草屋，怪叫撕心裂肺，鬼脸贴窗凝望，野鬼BOSS终将现行，终极＂规则绝杀＂如期而至！众人早已灵魂出窍，一具具行尸走肉又将如何战栗？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.