剧情纵览
女主古装小背心若隐若现,含苞待放,欲拒还迎。
女主古装小背心若隐若现,含苞待放,欲拒还迎。
这部精美的动画短片由编剧/导演威尔·麦柯马克和迈克尔·戈维尔联手打造。在悲剧发生后,一对父母失去了孩子,伤心欲绝的他们要面对随之而来的失落感。
总兵石须龙之子石伦强抢秀英,匡忠出手相救、拉开宝弓,二人因弓结缘。秀英、匡忠逃跑途中互生情愫,二人在识破石须龙贪污军饷罪行的过程中重新认识彼此、相知相爱,联合月英带领的二龙山众兄弟打倒石须龙。
Six college grad students and a mysterious stranger battle a pack of ferocious werewolves in a secluded cabin.
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster