诚实:好女孩

9.1 播放:45万 更新:2026-04-28
主演: 陈诗雅 보라 송기명 지성 

老头的儿子跟儿媳妇离婚了,但儿媳妇依然在家伺候老头,还带来了自己的妹妹,老头老当益壮,妹妹水性杨花,一见面就开始勾引老头,老头欲拒还迎,也将妹妹给上了,但老头并不满足,一直觊觎自己的儿媳妇已久,偶然间听说儿媳妇缺钱花,于是有着不少家产的老头开始用金钱来引诱儿媳妇为自己“服务”

即刻观影

剧情赏析

老头的儿子跟儿媳妇离婚了,但儿媳妇依然在家伺候老头,还带来了自己的妹妹,老头老当益壮,妹妹水性杨花,一见面就开始勾引老头,老头欲拒还迎,也将妹妹给上了,但老头并不满足,一直觊觎自己的儿媳妇已久,偶然间听说儿媳妇缺钱花,于是有着不少家产的老头开始用金钱来引诱儿媳妇为自己“服务”

编辑推荐

白天是阿波罗,晚上是雅典娜

吉泽姆·比尔根,梅利·杜泽恩利,巴里斯·戈内嫩,内拉·卡亚巴西,拉尔·曼苏尔,德尼斯·图尔卡利,塞伦·乌柴尔,埃兹吉·切利克

德芙尼(Defne)前往古老的地中海城市西戴(Side),在那里遇到了一位革命者、一个妓女、一位女祭司以及其他神秘人物。在他们的指引下,她开始寻找抛弃她的母亲。这部由充满潜力的女导演艾米妮·耶尔迪勒姆(Emine Yildirim)执导的处女作,以西戴为背景。西戴是古希腊的一个殖民地,曾是位于今日安塔利亚附近的繁荣港口城市。电影《日为阿波罗,夜为雅典娜》标题中的两位希腊神祇分别是理性之神太阳神阿波罗和智慧、手工艺及战争女神雅典娜。这部影片是一部充满奇幻色彩的剧情片,讲述了女性与男性、生者与死者的故事。

飞砂风中转

郑伊健,陈小春,方中信,余安安,叶璇,陈子聪,刘浩龙

  和义盛坐馆火水(方中信 饰)在筛选马仔后备军时,被一个开餐馆的厨师火腩(陈小春 饰)所吸引,后者做的叫花鸡味道鲜美,令他难忘。从此,他对火腩特别照顾,委以重任。找到了保护伞的火腩可以继承祖业,跟妻子(叶璇 饰)夫唱妇随经营义盛小馆,并盘算让儿女进入名校就读。正在此时,金融危机来临,方中信遇到困难,堂主之位不保,此时他希望能够让火腩做接班人,稳定军心。然而,和义盛开山祖师后人十三妹(余安安 饰)却力荐刚出狱的儿子燕子文(郑伊健 饰)出任堂主之位。于是,两个本不想做堂主的后起之秀被架上了PK台。火腩只想安心经营自己的饭店,而燕子文则希望进入大学进修,无心恋战的两人将面临一场怎样的对决呢?

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

披萨电影

伽塔·马塔拉佐,莎拉·谢尔曼,露露·威尔逊,肖恩·吉布朗尼,马库斯·斯克里布纳,凯莱布·希伦,佩顿·伊丽莎白·李,小克里斯·施密特,杰克·马丁,Shiv Pai,Adam Herschman,瑞安·米乔,Aidan Micho,Lucas Zelnick,Luke Burke,Chelsea Matkins,Tommy Armstrong,Lydia Hynes,Hyde Healy,Miguel-Andres Garcia

一个害羞的大学生和他鲁莽的室友开始了一个简单的任务去拿披萨,但在服用了一剂奇怪的令人心智的实验药物后,他们陷入了一个混乱的夜晚,荒谬的遭遇、疯狂的幻觉和意外的启示,这些启示可能会永远改变他们的生活。

全信没收

马特·达蒙,本·阿弗莱克,史蒂文·元,缇雅娜·泰勒,萨莎·卡莱,卡塔琳娜·桑地诺·莫雷诺,斯科特·阿金斯,凯尔·钱德勒,内斯特·卡博内尔,琳娜·埃斯科,辻大介,何塞·巴勃罗·坎蒂略,伊万·阿马罗·布隆,艾莉·莫雷诺,肖恩·迈克尔,克里斯·西尔维斯特里,凯瑟琳·德明,戴夫·费里尔,奇里尔·保兰

一群迈阿密警察在一间废弃的藏身屋发现数百万现钞,彼此之间的信任开始瓦解。随着外部人士得知充公金额如此可观,一切变得疑点重重,到底还剩下什么可以相信?又有谁依然值得信赖?

奇幻之家

赵文琪,李琦,斯琴高娃,颜勤,徐日东升,宋祉璇,来喜,天赐,张明明,孟繁淼,马国芯,吴一熳,徐日光耀,张韶洁,赵溦,宋牧晨,王庆峰,李时雨,孙悦

  一支家庭乐队,其中心是热爱唱歌的年轻人张寓哲(徐日东升 饰),他与父亲张皓(李琦 饰)爷爷张宏民(颜勤 饰)一同准备参加家庭才艺大赛。然而,一场意外的奇怪风暴却改变了一切,在前往济南的比赛途中,他们遭遇了闪电雷击,引发了一次离奇的身体互换。这场突如其来的变化将他们卷入了一系列惊险和尴尬的境地,需要他们适应对方的生活和角色。与此同时,单身母亲李芳玲(赵文琪 饰)和她的女儿李蓝蓝(宋祉璇 饰)也在前往同一家庭乐队大赛。两个家庭在奇怪的巧合下相遇,他们决定将这个突如其来的情况变为机遇,临时合并成一个全新的家庭乐队。这个组合的形成不仅是音乐的融合,更是情感、人际关系和亲情的交织。