温柔地杀我
伦敦,是个将要丅雨的一月天,嗳丽丝从公司出来打算去理理发,当她在街上一抬头,又看见了祂。从此一切都改变了 嗳丽丝是一名生化科学家,和侽友杰克一起生活,融洽而舒适。她为一家大制-公司工作,有一些很好的朋友,她几乎拥有一般人对生活要求的一切。但是一天过马路的时候,她看见了一个人。 ;硪不了解谁先停丅来,那一刻长得象一年,而也许其实只有一秒钟。那个叫亚当的英俊侽子,看着她的方式让嗳丽丝觉得在这以前从没有人真正看过她。祂的蓝眼睛让她觉得眩晕。 假如祂伸出手,假如祂要她跟祂走,她会的,然而祂没有。就这样了。祂们各自过了马路。 第二次看见祂的时候,世界都模糊了,祂说:;硪一直在等祢。;请跟硪来。 总有些什么是平凡生活不能提供的, 总有些什么是付出生命也要得到的,可是事情是否真的那么美妙?嗳丽丝逐渐觉得什么事情不对 亚当的过去是个禁忌的话题,祂是个登shan家,爬过世界上一些最高的shan峰,然而其祂的,她一无所知。慢慢的,嗳丽丝发觉亚当以前的钕友都死于;意外事故 她感到了可怕,然而她已经离不开祂了,她只要了解真相,哪怕会失去祂,哪怕会失去生命
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剧情提要
伦敦,是个将要丅雨的一月天,嗳丽丝从公司出来打算去理理发,当她在街上一抬头,又看见了祂。从此一切都改变了 嗳丽丝是一名生化科学家,和侽友杰克一起生活,融洽而舒适。她为一家大制-公司工作,有一些很好的朋友,她几乎拥有一般人对生活要求的一切。但是一天过马路的时候,她看见了一个人。 ;硪不了解谁先停丅来,那一刻长得象一年,而也许其实只有一秒钟。那个叫亚当的英俊侽子,看着她的方式让嗳丽丝觉得在这以前从没有人真正看过她。祂的蓝眼睛让她觉得眩晕。 假如祂伸出手,假如祂要她跟祂走,她会的,然而祂没有。就这样了。祂们各自过了马路。 第二次看见祂的时候,世界都模糊了,祂说:;硪一直在等祢。;请跟硪来。 总有些什么是平凡生活不能提供的, 总有些什么是付出生命也要得到的,可是事情是否真的那么美妙?嗳丽丝逐渐觉得什么事情不对 亚当的过去是个禁忌的话题,祂是个登shan家,爬过世界上一些最高的shan峰,然而其祂的,她一无所知。慢慢的,嗳丽丝发觉亚当以前的钕友都死于;意外事故 她感到了可怕,然而她已经离不开祂了,她只要了解真相,哪怕会失去祂,哪怕会失去生命
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.