即刻观影
剧情赏析
编辑推荐
诅咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
私生活2025
朱迪·福斯特,维尔日妮·埃菲拉,马修·阿马立克,丹尼尔·奥特伊,文森特·拉科斯特,卢安娜·巴杰拉米,索菲·勒图讷尔精神医生Lilian Steiner就自己一个病人的死展开了调查，她相信这是一起谋杀。
掠杀者
利亚姆·坎宁安,宝拉雅娜·麦金托什,汉娜·斯坦布里奇,布莱恩·拉金,尼尔·格雷格·富尔顿,道格拉斯·罗素,乔纳森·沃森,布莱恩·威纳尔故事发生在苏格兰一个名叫英维思的偏远宁静小镇。夜幕愈加浓重，年轻女警官瑞秋（Pollyanna McIntosh 饰）被闹钟唤醒，她有条不紊穿戴整齐，随后出门行走在空无一人的街道中央。在某个路口，瑞秋目击不远处站着一位老人，但随后老人被一辆飞驰而来的汽车撞到。瑞秋冲上前去，然而并未看到被撞之人，她只得将肇事者凯撒（布莱恩·沃纳 Brian Vernel 饰）扭送回警局，与麦克·瑞德警长（道格拉斯·罗素 Douglas Russell 饰）一同审问。稍后凯撒被关入牢房，而警局的同事也找到了那名神秘且一言不发的受伤老人。 令人难以置信的是，老人似乎拥有直抵他人内心的能力，同时也让对方暴走疯狂，这注定是一个不平凡的夜晚……
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安贾尼,唐尼·阿兰西亚,安德里·马沙迪,Rangga Nattra,Nugie,鲁克曼·罗萨迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari达尔文是一名摄影师，他发现有个神秘女人总出现在自己的照片中。当这个幽灵般的身影开始在现实生活中显现时，他的女友皮亚开始调查这个鬼魂的身份，最终发现它与一名名叫莉莉斯的前大学学生有关。当达尔文的朋友们开始陆续死亡时，皮亚怀疑这些鬼魂事件与达尔文的过去恶行有关。
外星入侵者ZIM
Richard Steven Horvitz,Andy Berman,Rosearik Rikki Simons,Melissa Fahn一名想要征服地球的外星人ZIM 假扮成人类，而只有一个妄想狂的小孩Dib Membrane知道这个秘密。本剧于2001年3月30日在美国和菲律宾首播。 Zim是来自外星来的小孩,应该说是入侵者,但他在自己不知道的情况下,被母星放逐,不知不觉来到了地球... 以小学生的身分在地球生活,虽然说是入侵者,但是几乎都没在进行侵略的动作...(反而在我看过的集数中,拯救地球两次= =") 而且还要面对面前的敌人-Dib的侵扰(在我看来像是骚扰),Dib是唯一知道Zim是个外星人的地球人,但是因为也是个小孩子,所以没人相信他. Zim与Dib是同校又同班的敌人(或者说是一对活宝),不时会进行互相乾扰的...笑话 Invader Zim的动画进行是有点类似PPG(飞天小女警),30分钟演两话,1话12分钟左右,所以每一话几乎都充满笑点....
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.