剧情纵览
一个大雪纷飞的寒冷夜晚,学者赛里格曼(斯特兰·斯卡斯加德暂无内容Stellan暂无内容Skarsgård暂无内容饰)偶遇了遍体鳞伤躺在雪地里的女子乔伊(夏洛特·甘斯布暂无内容Charlotte暂无内容Gainsbourg暂无内容饰),好心的赛里格曼将乔伊接回家里疗养,却没想到,等待着他的,会是一个充满了扭暂无内容曲情欲的故事。
一个大雪纷飞的寒冷夜晚,学者赛里格曼(斯特兰·斯卡斯加德暂无内容Stellan暂无内容Skarsgård暂无内容饰)偶遇了遍体鳞伤躺在雪地里的女子乔伊(夏洛特·甘斯布暂无内容Charlotte暂无内容Gainsbourg暂无内容饰),好心的赛里格曼将乔伊接回家里疗养,却没想到,等待着他的,会是一个充满了扭暂无内容曲情欲的故事。
格里沙,这个曾经被宠坏的孩子,原本是一个农奴。但在经历了一次追溯“过去”的旅程后,他蜕变成了一个真正的男人,对任何形式的不公正都极为敏感。然而,他始终无法摆脱被宠坏的卡蒂娅所带来的无礼和无法无天。也难怪,这个曾经被宠坏的女孩很快就发现自己置身于一个截然不同的时代。
有一户人家,他们世代隐居在由高墙和篱笆围起的一方天地里。与世隔绝的他们不论外界的时代如何更替,文明怎样进展,仍然固守着古老的生活方式,简朴、素雅、纯真。有时候,丰沛的阳光会穿过茂密的守护森林,毫无保留地照耀着每一棵古树、每 一寸厚土,也照耀着光影里两个精灵般嬉戏时而消失又突然显现的 少年。 成长的路总不是一片坦途,正如叛逆的阵痛永远会如期而至。眼看着新鲜力量就要冲破这亘古的高墙和藩篱,然而母亲的离奇暴毙,妹妹的突然失踪,父亲愈发的心事重重,都令少年更加坚信自己身处在一个古老而危险的秘密之中,而这个秘密的答案,也许就能解开羁绊在自己和妹妹身上的神秘力量的终极谜题......
郑家村,突然发生了一系列似怪异的事件。 众人来到郑家老宅,郑浩民在了解情况后,特邀请曾经的同事,考古学教授张信安前来一同进行科学调查。 张信安等人来到郑家村与郑浩民等开展了一系列的调查工作。 张信安在观察了郑家老宅后,从科学依据做出判断,郑家老宅四面环山傍水,阴湿气重,在地理上形同一个低洼混区,导致磁场混乱,各种正常人感知不到的微弱电波无法散发。 就在调查即将接近真相的时候,两位教授遭受莫名攻击,陷入可怕幻觉,导致两人当场昏迷。 事态进一步恶化,破开迷雾的重任压在了韩斌和张紫涵这一对年轻恋人身上。 韩斌在经过一系列的诡异后终于找出缘由。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster