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贪种滋生
Andrew Boszhardt,艾德里安·恩斯科,切尔西·吉利根,Madison LewisThe bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.
眠山怪影
Herbert M. DawleyIn a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.
他们之后的孩子
保罗·基尔舍,安吉丽娜·沃雷斯,赛义德·艾尔·阿拉米,阿娜伊斯·德穆斯蒂埃,露易丝·莱赫里,吉尔·勒卢什,路易·梅米,露德温·塞尼耶,Denis Simonetta,Anouk Villemin一个关于爱、青春与友谊的美丽成长故事。1992年8月，在一个被遗忘的山谷中，安东尼爱上了斯蒂芬妮。当晚为了再次见到她，他偷借父亲的摩托车去派对，翌日却发现摩托丢失，他的生活也就此产生巨变。
疯月
Grace Adams-Short,Aaron Krygier,Kayla Malika,Gabrielle NunzioSix college grad students and a mysterious stranger battle a pack of ferocious werewolves in a secluded cabin.
征服者2025
阿克夏耶·坎纳,马达范,兰维尔·辛格,桑杰·达特,阿俊·拉姆鲍,阿哈娜·卡姆拉,莎拉·阿尔琼,拉詹德拉纳斯·祖特施印度顶级间谍阿吉特·多瓦尔（Ajit Doval）在敌方领土上卧底，冒着一切风险收集情报并防止重大危机，巩固了他作为“印度詹姆斯·邦德”的遗产。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster