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解放3：主攻方向
米哈伊尔·诺日金,尼古拉·奥拉宁,米哈伊尔·乌里扬诺夫,拉里莎·戈卢布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特尔热利奇克,Yevgeni Burenkov,阿纳托利·罗马申,彼得·谢尔巴科夫,伊万·彼列维捷夫,弗拉德连·达维多夫,谢尔盖·哈钦科,德米特里·弗兰科,Tõnu Aav,Fred Alexander,Ingrid Andrina,维克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,灵幻夹克
艾德里安·布洛迪,凯拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼尔·克雷格,凯莉·林奇,布拉德·兰弗洛,斯蒂文·麦金托什,布兰登·柯伊尔,麦肯兹·菲利浦斯,劳拉·马兰洛,詹森·刘易斯,乔哈·罗坦,安琪儿·库碧安眠实验
Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凯·乐希迪柴,汪撒孔·拉萨米塔特,帕尼莎拉·里库苏拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim Waddoup疯狂动物园
威尔·福特,约翰·雷吉扎莫,约翰·克里斯,吉姆·卡明斯,杰森·琼斯,萨曼莎·比时装
安吉丽娜·朱莉,阿尼尔·阿内伊,艾拉·朗夫,路易·加瑞尔,加朗斯·马里利埃,纪尧姆·马贝克,文森特·林顿,肖恩·格莱特,费尼肯·欧菲尔德,米格伦·米切夫,克斯蒂·伊尔维斯·萨维纳,阿黛尔·蒙特布尔,卡蒂亚·克里韦拉里,弗朗索瓦·菲利皮19 十九
锦织一清,东山纪之,植草克秀,小泽夏木,坂井徹,山本哲平影视排行
他人即地狱(日影)
八村伦太郎,柳俊太郎,冈田结实,三浦健人,青木さやか,大仓空人,萩原圣人,鈴木武,星耕介,滨津隆之,日比美思,松角洋平,大野泰广「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出来事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫画の舞台を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの恋人・メグミを岡田が演じる。
纳粹僵尸
Matthew Baunsgard,达米安·罗扎内克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
手机有鬼
汉娜·霍克斯特拉,Isis Cabolet,罗伯特·德·霍格,Alex Hendrickx,马菲积斯·范德桑德·巴库曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,丽莎·斯普斯,扬容·斯皮森伯格,马克·范·伊文安娜在床上醒来，脑袋因为前一夜的狂欢有些昏沉疼痛。她打开手机，发现新增一款名为“伊丽丝”(IRIS) 的神秘互动APP；它将好姊妹出轨的证据偷拍下来，还将不雅照、私密影片和讯息散布至脸书，监控她的生活，周遭朋友纷纷卷入，陷入恐慌。 安娜用尽一切办法，欲将伊丽丝移除，却引来致命杀机。不甘居于劣势的她，决定正面迎击…。