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鸣枪警告
David Spade,詹姆斯·厄尔·琼斯,弗兰克·威利一位单身母亲和她的小女儿努力维持生计，直到他们从祖父那里继承了农舍。 当一个家族企业的竞争对手派武装人员用武力将水权带到农场的小溪时，情况开始失控。
当邪恶潜伏时
埃泽奎尔·罗德里格斯,Demián Salomón,路易斯·齐姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro一对兄弟在他们的庄园附近发现了一具残缺不全的尸体，于是召集当地人一起调查。他们很快了解到，村子里发生的怪事是由一个恶灵引起的，这个灵魂进入了一个当地人的体内，他们等待着通过适当的程序驱逐他体内溃烂的恶魔。主角们不得不与迫在眉睫的危险赛跑，试图摆脱恶灵无情的魔爪。
即兴谋杀
李庚希,邓家佳,刘奕铁,黄晓明,岳佳颐,赵胤胤,杨皓宇,宗俊涛,吕鑫,龚毅星,于晞悦神秘孤岛上只有一座何家古堡，以前死过很多人。半瘫少女何思怡（李庚希 饰）离家17年后归来，父亲却离奇失踪，迎接她的是美艳温柔的继母（邓家佳 饰）、风度翩翩的私人医生（黄晓明 饰）、年轻健硕的司机（刘奕铁 饰）和万般贴心的女佣等人。这一切看似平静，但不时响起的古怪声音，似有若无的血腥气味，似乎都藏着这座古堡不可言说的秘密，一步步将这家人 拖入万劫不复的深渊，一场蓄谋已久的复仇大戏渐渐拉开帷幕……
宇杀员
Shannon Hutchinson,Vito Trigo,Jasmina ParentIn the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
把家虎
康琳浠,袁家骏,答有为,张原荣,王艺欢,赵鹏,王旭,梁栋,张婷,曹皓程,郭炫辰,杜俊峰,李凯武,蒋镇泽,蒋镇阳,岳建刚,杨恩全徐大燕，虽自幼生得标致，但却因为性格强势，持家精打细算，容不得他人占自己家半点便宜，闻名村里村外，导致已到婚嫁之龄未嫁在家。不平常女子人生也必然不平常，成家后的徐大燕，凭借精密与能干使得原本穷破的家，日渐变得富足与温馨，更是在其短暂的一生留下诸多感人事迹。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.