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春苗
李秀明,高宝成,达式常,林彬,白穆,于飞,李保罗,赵抒音,于元奇未来学大会
罗宾·怀特,哈威·凯特尔,乔恩·哈姆,保罗·吉亚玛提,柯蒂·斯密特-麦菲,丹尼·赫斯顿,萨米·盖尔,迈克尔·斯塔尔-大卫,迈克尔·兰德斯,莎拉·夏希,埃德·科尔宾,克里斯托弗·B·邓肯,埃文费兰特,弗兰西丝·费舍可怖之事
苏菲·特纳,基特·哈灵顿,马西娅·盖伊·哈登,劳伦斯·欧弗林,乔纳森·霍华德,Catherine McDonough,Tigerlily Langford,Zachary Cohen,Jürgen Koenen,Huxley Sheppard精灵宝可梦：幻影的霸者索罗亚克
松本梨香,大谷育江,上田祐司,丰口惠美,小樱悦子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,朴璐美,间宫胡桃新狂蟒之灾
保罗·路德,杰克·布莱克,史蒂夫·扎恩,坦迪·牛顿,艾斯·库珀,丹妮拉·曼希沃,艾农·斯凯,本·劳森,赛尔顿·梅罗,Renee Herbert,娅丝明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟罗,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亚斯,Romeo Ellard,Reagan George炫舞我人生
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天堂孤影1986
马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩,埃斯科·尼卡里,Kylli Köngäs,佩卡·莱霍,Jukka-Pekka Palo,Svante Korkiakoski,Mari Rantasila,Safka Pekkonen,Antti Ortamo,马托·瓦尔托宁,Sakke Järvenpää,Ulla Kuosmanen,Neka Haapanen,阿基·考里斯马基第九区
沙尔托·科普雷,詹森·库伯,娜塔莉·博尔特,茜尔雯·斯特赖克,约翰·萨莫尔,威廉·艾伦·扬,尼克·布雷克,杰德·布罗菲,路易斯·米纳尔,瓦妮莎·海伍德,玛丽安·胡曼,维多利奥·莱奥纳迪,曼德拉·加杜卡,约翰·范·肖尔,斯特拉·斯廷坎普,戴维·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫尔内·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基维·马德拉拉,西雅邦加·拉德贝,梅尔特·西贝尔哈亨,安德勒·奥登达尔,尼克·伯莱尼,罗伯特·霍布斯我是自愿让他杀了我
蔡淑臻,郑人硕,薛仕凌,余晋,尹昭德,赵逸岚,阮柏皓,蔡承邑掏出你的手帕
热拉尔·德帕迪约,卡洛埃·劳拉,帕特里克·迪瓦尔,米歇尔·塞罗尔,埃莱奥诺雷·希尔特裂口女2
飞鸟凛,川村雪绘,岩佐真悠子,真山明大,谷口贤志,草野康太,中野英雄,斋藤洋介,林未纪靶场
凯莉·康奈尔,史蒂芬妮·皮尔森,罗德·埃尔南德斯,安东尼·科洛,阿莱克萨·伊姆斯,杰森·托比亚斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
七月返归
白灵,太保,谭玉瑛,伍咏诗,周祉君,沈殷怡,黄梓乐内详暂无简介
围困
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,列夫·佐洛图欣,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,丹尼尔·萨加尔,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊尔·乌里扬诺夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku该片讲述了伟大卫国战争期间列宁格勒遭受德寇围困的九百天，列宁格勒军民克服种种令人难以置信的困难--饥饿，轰炸，疾病，寒冷——保卫了这座“英雄城”并最终打破了德寇的围困的故事。
未知土地
约克·马哈尼,Shirley Patterson,威廉·雷诺兹,亨利·布兰登Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.