窃欲无罪
Sotto falso nome 丹尼尔以笔名创作了许多热销作品，他的私日子彻底藏匿于文坛名利双收的光环之下，纵使外界对他的实在身分感到猎奇，20余年来，他的两层人生就像两条调和安稳的平行线，隐私不受打扰，过着殷实却普通的日子。 这天，他与妻子相约意大利卡布里岛，预备参与儿子的结婚典礼。秀丽的风景引发满腹文思，瑰丽风光令人意乱情迷，丹尼尔搭乘渡轮，意外邂逅年青女子蜜拉，两人度过一夜温存。但是，这一段意外的越轨，却成了他挥之不去的引诱。 回来日内瓦的别墅，接二连三的黑函，以偷情的相片作为要胁，丹尼尔怀疑是蜜拉和其奥秘的女人友人一起策划的圈套，他该怎么处理？另一方面，一通奥秘爆料的电话，让报社记者穷追不舍，逼得他有必要出头举行记者会，坦承他的实在身分，却意外扯出多年前让他一炮而红的成名小说，居然是瓢窃自一位自杀身亡的年青作家... 扑朔迷离的人际联系之下，终究躲藏了多少不为人知的隐秘？年青作家、蜜拉与丹尼尔的外遇，与尘封已久的往事又有啥相关呢？ 剧中风险媚惑的年青奥秘女子，心里巴望爱慾的中年作家以及深爱着丈夫的高雅妻子，三位实力派艺人诠释三角联系的扑朔迷离及情慾纠葛，在本片铺陈的悬疑性之外，更添戏曲张力。
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剧情简介
Sotto falso nome 丹尼尔以笔名创作了许多热销作品，他的私日子彻底藏匿于文坛名利双收的光环之下，纵使外界对他的实在身分感到猎奇，20余年来，他的两层人生就像两条调和安稳的平行线，隐私不受打扰，过着殷实却普通的日子。 这天，他与妻子相约意大利卡布里岛，预备参与儿子的结婚典礼。秀丽的风景引发满腹文思，瑰丽风光令人意乱情迷，丹尼尔搭乘渡轮，意外邂逅年青女子蜜拉，两人度过一夜温存。但是，这一段意外的越轨，却成了他挥之不去的引诱。 回来日内瓦的别墅，接二连三的黑函，以偷情的相片作为要胁，丹尼尔怀疑是蜜拉和其奥秘的女人友人一起策划的圈套，他该怎么处理？另一方面，一通奥秘爆料的电话，让报社记者穷追不舍，逼得他有必要出头举行记者会，坦承他的实在身分，却意外扯出多年前让他一炮而红的成名小说，居然是瓢窃自一位自杀身亡的年青作家... 扑朔迷离的人际联系之下，终究躲藏了多少不为人知的隐秘？年青作家、蜜拉与丹尼尔的外遇，与尘封已久的往事又有啥相关呢？ 剧中风险媚惑的年青奥秘女子，心里巴望爱慾的中年作家以及深爱着丈夫的高雅妻子，三位实力派艺人诠释三角联系的扑朔迷离及情慾纠葛，在本片铺陈的悬疑性之外，更添戏曲张力。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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美国德州一所高中，以布莱德利（贾斯廷·阿诺德 Justin Arnold 饰）为首的一众男女学生风生水起，横行霸道，经常以欺负人为乐趣。印度裔学生莱比（Vincent Silochan 饰）、瘦小的戴恩（马克·多纳托 Marc Donato 饰）和有些内向自闭的女孩艾米莉（林德赛·西德尔 Lindsay Seidel 饰）等人更是他们优先欺负的对象。学校的状况已然如此，与亲人的关系又分外冷淡和紧张，戴恩他们的生活看不到一点儿希望。 8个月前，戴恩的叔叔去世，留给他一座偌大的农场作遗产。饱受欺负且试图自杀的他找到和自己同病相怜的几个人，他们决定把学校的小霸王们请到举行派对，在劲歌热舞之中展开准备已久的血腥复仇……
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