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剧情提要
春满丹麦 春滿丹麥 (1973)
暗夜精选
复仇1978
塞尔玖·尼古拉耶斯库,J·迪尼克,J·康斯坦丁狼蛛
约翰·艾加尔,里奥.G.卡罗尔,克林特·伊斯特伍德噪声
李先彬,金玟锡,全益玲,刘庆秀鬼鲨
Mackenzie Rosman,Dave Randolph-Mayhem Davis,Amy Brassette,Sloane Coe,金·柯林斯一线希望
扎克瑞·莱维,乔什·杜哈明,昆汀·普莱尔,泰伦斯·特雷尔,马歇尔·库克,乔贝兹·威廉姆斯,弗罗瑞安娜·利马,杰西卡·布莱克莫尔,普里亚·贾恩,詹姆斯·马丁·凯利,施特菲·塔凯,Armida Lopez,里森·亚历山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens昭和残侠传
高仓健,池部良,三田佳子丧尸出笼:血脉
Sophie Skelton,乔纳森·斯卡奇,Jeff Gum,Marcus Vanco,马克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔纳斯·斯雷布雷夫,Ulyana Chan同系列推荐
正面还是反面?
娜迪亚·特列什科维奇,亚历桑德罗·博尔吉,约翰·C·赖利,皮特·蓝萨尼,米尔科·阿图索,加布里埃莱·西里,吉昂尼·嘉科,罗伯特·阿兰·帕卡德,乔吉欧·曼涅提,萨蒂·勒泼因特,费德里科·阿克罗尼,伊曼努埃拉·奥纳吉,布鲁诺·迪·吉奥瓦尼,塞弗里诺·斯佩兰迪欧,杜门尼克·奇奥兹,薇欧拉·索尔达尼,克劳狄欧·卡斯托利北京猿人
绪形直人,王祖贤,哀川翔,丹波哲郎,坂上忍,小野贤章麻雀女王追男仔
高海宁,马国明,陈家乐,陈静,邱意浓,许绍雄,郭珮文,李尚正,麦玲玲,林盛斌,戴耀明,程可为,蔡洁,林襄,文佐匡巨星嫁到
詹妮弗·洛佩兹,欧文·威尔逊,马鲁玛,萨拉·西尔弗曼,约翰·布莱德利,克洛伊·科尔曼,吉米·法伦,布雷迪·诺恩,蜜雪儿·伯托,乌特卡什·安邦德卡尔,基思·埃威尔,杰奎琳·霍努力克,卡特里娜·坎宁安,斯蒂芬·沃勒,劳伦斯·史密斯,莱恩·瓦莱丽,布莱斯·科里根,洛根·克劳福德,朱塞佩·阿迪佐内,赫纳多·罗德里格斯,亚历克斯·佩雷斯,瑞娜·郑,乔纳森·M·帕里森 ,马科·查卡,桃乐丝·麦卡锡搜查瑠公圳
朱轩洋,吴卓源,张世,梁修身,朱栢康,姚淳耀,张永正,李雪,潘仪君,詹怀云,马力欧,罗芽里,廖嘉琛,王振复,钱薇真废世界
幕后花絮
小镇杀手
「商场得意,情场失意。」用这句话形容商人伊博和爱德华,尚嫌太客气。两人一个胖、一个鲁,成天插科打诨,满脑子性爱。偏偏老婆不领情,夜里不给碰就算了,平时还酸言酸语刺激鲁蛇纤细的脑神经,不但赞不绝口舞蹈教练的性感魅力,还大肆嘲弄老公薄弱的性能力,激得两人火冒三丈,一不做二不休,上网找帮手,大老远请来俄罗斯杀手干掉枕边人! 杀手伏特加当水喝,杀人当日常,醉起来像疯狗;两人正懊悔想赶他走,杀人计划却已失控出手。但千万别小看老婆的智商,她们也不甘示弱,要以其夫之道还治其夫之身。本该由爱生性的婚姻,却因性生活不顺而跑出恨与杀机,冷血杀手起手无回,枕边人的性命保还是不保? 布鲁塞尔奇幻影展最佳欧洲电影,各式杀人技法神展开,保证令你笑开怀。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster