天使心肠之红色教室
村木哲郎（蟹江敬三饰）是一本不入流的色情杂志的老板，某天，他在地下电影院观看一出描写学校暴行的“电影”，女主角的精湛演技和疏离感瞬时攫住村木的心。在此后的日子里，他有意寻找那名女主角，却始终没有着落。偶然机会，村木和员工工作时在某情人旅馆邂逅了那名担任接待工作的“女主角”——土屋名美（水原ゆう紀饰）。他兴奋地邀请名美担任自己的模特，同时发现名美拍摄的那部影片竟是一起真实事件，而她也自此堕落成一名妓女。两人相约次日相见，但村木却因突发事件失约，彼此一别三年……本片根据漫画家兼导演石井隆的漫画原著改编，并荣获1980年横滨电影节最佳导演、最佳女主角（水原ゆう紀）和最佳男配角（蟹江敬三）三项大奖。
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Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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