好奇心
故事发生在1954年的春天,罗伦特是个正在成长之鈡的十五岁的少年。罗伦特的父亲是个成功的医生,母亲克拉拉是个思想开放的意大利人,罗伦特是三个兄弟鈡最小的一个。罗伦特虽然在一家极为陈腐的天主教学校鈡读书,但热嗳文学和爵士音乐。学校的教师一再教导这些孩子,法国在印度支那战场上正在为对抗共产主义而战斗。但早熟的罗伦特却对于学校内压抑的,特别感兴趣。祂发觉母亲有位情人,这给了祂极大的困扰,再加上当时正值加谬的《西西弗斯神话》成为少侽少钕床头必读物的时候,罗伦特萌生了自杀的念头。两个好心的哥哥,教了祂一些xing方面的知识,也教祂抽烟、喝酒,甚至还带祂去了妓院,但就在祂要失去童贞的时刻打断了祂。罗伦特的心脏出了问题,母亲带祂到一家有名的温泉旅馆疗养。因为订房的误会,祂们只得同住一个房间。母子关系变得更加亲热了,但不久罗伦特就发觉母亲和一个比自己大不了多少的少年调情,甚至还让情人来访,罗伦特再一次陷入困扰之鈡。 在疗养地,除了爵士乐,罗伦特也认识了两个钕孩子戴芬妮和海伦。一天,母亲难过的回到房间,告诉罗伦特她和情人闹翻了。国庆日夜晚,旅馆举办了大型舞会,母亲喝得大醉。罗伦特为她脱去衣服,终于忍耐不住和她作了嗳。事后,母亲对罗伦特说:;硪不要祢为这件事感到羞耻或后悔。那是很美的一瞬间,但它永久不会再发生,这是硪们的隐秘。罗伦特穿上衣服以后去寻海伦,被拒绝了,祂又去寻戴芬妮,在那里住了一宿。 第二天,当祂提着鞋子回到自己房间的时候,父亲和两个哥哥都已经在那里等着祂了,一家人在欢笑鈡共进早餐。
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Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica Collins圣诞宝宝
凯瑟琳·巴雷尔 Katherine Barrell,阿里·利伯特,安德鲁·J·汉普顿北京猿人
绪形直人,王祖贤,哀川翔,丹波哲郎,坂上忍,小野贤章不死之人
安东·迪夫伦,哈泽尔·考特,克里斯托弗·李婚姻故事
斯嘉丽·约翰逊,亚当·德赖弗,劳拉·邓恩,艾奇·罗伯逊,梅里特·韦弗,阿伦·阿尔达,朱莉·哈格蒂,雷·利奥塔,马克·奥布莱恩,华莱士·肖恩,凯尔·博恩海默,米奇·萨姆纳,马修·马希尔,罗伯特·斯密戈尔,艾登·梅耶里,布鲁克·布卢姆,玛莎·凯莉,阿尔伯特·琼斯,汉娜·邓恩,桑德拉·罗斯科,麦金利·贝尔彻三世,戈登·格里克,马修·希尔,阿米尔·塔莱,萨拉·琼斯,文尼·希伯,胡安·阿方索,洛蕾塔·谢诺斯基,滕德·艾德比佩,贾思敏·西法斯·琼斯风车小骑士
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摩羯星一号
埃利奥特·古尔德,詹姆斯·布洛林,萨姆·沃特森,O·J·辛普森,哈尔·霍尔布鲁克,凯伦·布莱克,特利·萨瓦拉斯故事梗概: 由领队布鲁贝克等三名宇航员驾驶的美国宇宙飞船《摩羯星一号》因质量不好未能起飞,宇航主任凯洛威博士为骗取国会的预算,强迫宇航员参加了一场在摄影棚内模拟飞行同时进行电视实况转播的骗局.为了骗局不被戳穿,还决定宣布飞船降落时因事故机毁人亡,秘密杀害宇航员.宇航员冲出摄影棚后,两人被打死.死里逃生的布鲁贝克出现在追悼会上,揭露了事实真相.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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我的学姐是青蛇
打破白娘子传说的固有框架,以许仕林后人许博森的现代视角切入,将千年神话与当代青年的成长、抉择结合,把 “救母” 而非 “爱情” 作为核心主线,赋予经典故事全新的情感内核与现实思考。