变性记

4.3 播放:98万 更新:2026-04-29

裕美是个宅在家的啃老族,平常只会一边吃零食、一边打电动。某天早上醒来上厕所时,裕美突然发现自己的GG不见了?他赶忙脱掉衣服照照镜子,却发现自己彻头彻尾变成有著一双豪乳的女性。慌张失措的他把自己遇到的怪事po到网路求救,却引来网友回覆「好猛,棒呆了!让我上吧!」、「真假?如果是真的话,请把全裸照寄给我」裕美心想男人都是笨蛋或是禽兽吗?原本的宅男裕美自从变成波霸裕美之后,在超商会遇到变态突然袭胸,在路上会遇到来搭讪的星探,就连回家的路上也有跟踪狂尾随,他决定向两性专家求救…

即刻观影

剧情赏析

裕美是个宅在家的啃老族,平常只会一边吃零食、一边打电动。某天早上醒来上厕所时,裕美突然发现自己的GG不见了?他赶忙脱掉衣服照照镜子,却发现自己彻头彻尾变成有著一双豪乳的女性。慌张失措的他把自己遇到的怪事po到网路求救,却引来网友回覆「好猛,棒呆了!让我上吧!」、「真假?如果是真的话,请把全裸照寄给我」裕美心想男人都是笨蛋或是禽兽吗?原本的宅男裕美自从变成波霸裕美之后,在超商会遇到变态突然袭胸,在路上会遇到来搭讪的星探,就连回家的路上也有跟踪狂尾随,他决定向两性专家求救…

编辑推荐

怪物计划

伊芳·齐玛,贾斯汀·布恩宁,托比·海明威,Murielle Zuker,Jim Storm,Shayne Eastin,PeiPei Alena Yuan,Shiori Ideta

  一个想拍摄出恐怖纪录片的剧组在网路上发布了试镜公告,表明他们要找寻隐藏于现实生活中的骇人怪物,没想到有三个自称兽行者、吸血鬼与恶魔的报名者要前来试镜。他们相约于月全蚀之夜,在一栋森林中的偏远豪宅见面,原本只是要请对方分享自己的灵异经验,没想到竟弄假成真,变调成一场挥之不去的恐怖梦魇。

纳粹僵尸

Matthew Baunsgard,达米安·罗扎内克,Ellis J. Wells,Richard Kovacs,Zach Devereux

A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.

诡风怪谈

茱莉亚·古丹妮·泰勒斯,阿什利·祖克曼,凯特琳·杰拉德,迪伦·麦蒂

  西部荒野,住着麦克林夫妇——伊萨克(阿什利·祖克曼 Ashley Zukerman 饰)和莉兹(凯特琳·杰拉德 Caitlin Gerard 饰)。这里条件艰苦,环境恶劣,人烟稀少,野兽横行。莫大的孤寂令莉兹时常警惕地环视四周,防备一切可能的危险。某天,哈普尔夫妇——吉迪恩(迪伦·麦蒂 Dylan McTee 饰)和艾玛(茱莉亚·古丹妮·泰勒斯 Julia Goldani Telles 饰)搬到了麦克林家附近,成为他们的邻居。两家人很快就成了好朋友,特别是莉兹有了艾玛这个好姐妹,似乎心理也正常了许多。  好景不长,某晚艾玛的情况变得很糟糕,她担心神秘的存在将危及她的孩子。荒野大风卷起,乌云密布……

校花与野出租

袁帅,蔡蝶,孙逢苑,王怡苏,孙小孟

  野出租司机雷小军结识校花后的离奇经历。一个野出租屌丝男,意外地得到了校花的青睐,正当两人更近一步时,校花却离奇失踪了……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我们是伯利恒

多洛蕾斯·方齐,卡米拉·普拉阿特,劳拉·帕雷德斯,朱丽叶塔·卡迪纳利,Sergio Prina,路易斯·马辛,凯撒·特龙科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam

  2014年,阿根廷图库曼省;一名年轻女性因剧烈腹痛入院,当时她并不知道自己已有身孕。醒来时,她发现自己被手铐铐在轮床上,周围全是警察。她被指控自行堕胎,在拘留两年后,因加重杀人罪被判处八年监禁。  图库曼省的一位女律师将为她的自由而战,数千名女性与众多组织纷纷声援,她们团结起来,试图改变历史的走向。