重逢:禁忌之爱

★ 1.4 播放:32万 更新:2026-04-29
主演:유메 카나 

布拉德被新娘卡在心里。 魔鬼救了布拉德,留下了塞苏纳。 塞斯纳(Sethna)是未完成的吸血鬼,在接下来的100天内不应该做爱。 如果您安全地度过100天,您可以重生为伟大的吸血鬼,但如果在此之前发生性关系,您将会死亡。 如果布拉德保护塞兹纳为吸血鬼,他将挽救布拉德的性命。 如果有问题,布拉德将他处死。 作为新生婴儿,Setsuna就像新生婴儿一样令人赞叹和愉悦。 吸血鬼,但是对杀死人或吸血有很强的抵抗力。 有一天,我出去玩在教堂里,无视白天布拉德的话, 在那儿,他遇到了一个友好的新娘并交了朋友。两人互赠口琴或花香,建立友谊。 然而,新娘是那个在布拉德的心中息息相关的男人。 塞斯纳(Sethna)要保护她的朋友,而布拉德(Brad)想要杀死她。 她很快就感受到了对布拉德的爱,并誓言要永远和他在一起, 布拉德对新娘的误会杀死了他,他深感震惊。 最后99天。塞斯纳(Sethna)要求布拉德拥抱。 布拉德意识到其深刻的含义后,便对Setsuna产生了热烈的爱慕之情,最终两人死亡。

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剧情简介

布拉德被新娘卡在心里。 魔鬼救了布拉德,留下了塞苏纳。 塞斯纳(Sethna)是未完成的吸血鬼,在接下来的100天内不应该做爱。 如果您安全地度过100天,您可以重生为伟大的吸血鬼,但如果在此之前发生性关系,您将会死亡。 如果布拉德保护塞兹纳为吸血鬼,他将挽救布拉德的性命。 如果有问题,布拉德将他处死。 作为新生婴儿,Setsuna就像新生婴儿一样令人赞叹和愉悦。 吸血鬼,但是对杀死人或吸血有很强的抵抗力。 有一天,我出去玩在教堂里,无视白天布拉德的话, 在那儿,他遇到了一个友好的新娘并交了朋友。两人互赠口琴或花香,建立友谊。 然而,新娘是那个在布拉德的心中息息相关的男人。 塞斯纳(Sethna)要保护她的朋友,而布拉德(Brad)想要杀死她。 她很快就感受到了对布拉德的爱,并誓言要永远和他在一起, 布拉德对新娘的误会杀死了他,他深感震惊。 最后99天。塞斯纳(Sethna)要求布拉德拥抱。 布拉德意识到其深刻的含义后,便对Setsuna产生了热烈的爱慕之情,最终两人死亡。

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.