剧情简介
一对新婚夫妻昌与燕，他们参加旅行团到美国渡蜜月，二人非常恩爱，到处游玩，正享受着美国的阳光。而同时，在码头一群中国偷渡来的人蛇正刚到达美国，而莉是其中一个来寻找黄金梦的女孩，她们被安排到一间小屋里，等待亲友们来接回，但蛇头早已把年轻貌美的少女行留下，还假装找不到她们的亲友。莉是其中之一，余下的人蛇被威迫利诱，作娼妓偿还偷渡的费用。
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最后的吸血鬼
工藤夕贵,中村佐恵美该片是押井守参与制作的一部动画电影。获2002年斯图加特国际动画电影节最佳长篇奖，获2001年日本文化厅文化厅MEDIA艺术祭动画大赏。1966年秋天，越南战争期间，在日本国内的美国空军横田基地内，不时可见F4幻影战斗机频繁起降，空气中充斥着一股杀戮的气氛；就在此时，基地附近的市区连续发生了离奇的命案。 地下铁，银座线，正驶著通往浅草的最后一班列车，一名少女出现在空荡的车厢内，她拥有令大人感到刺眼的眼神，紧闭着双存欲诉说她内心的真正意念，她的名字叫小夜(SAYA)；她是“组织”为了打倒潜伏于人类社会里的吸血鬼“翼手”，因而派遣至人类社会的救世主。 穿着水手服的小夜，手持日本武士刀作为武器，潜入了基地内的美国学校。一柄冷血无情的武士刀，是她消除邪魔、保护人类的武器。而她身体里这一半的人性，可能就是她打败敌人的秘诀……
连环杀手夫人
杰奎琳·费南德斯,马诺杰·巴杰帕伊,莫希特·雷纳,Zayn Khan一名医生因一连串令人震惊的凶恶案而入监服刑，他忠心的妻子打算模仿同样的杀人手法作案，借以证明他的清白。
情棺
刘尚麟摸金校尉白术为拯救被逼与丞相之子秦庭至配阴婚的意中人苏青，决定进行招魂仪式，却未曾想三人彻底陷入阴婚诅咒，身困三生三世的虐恋纠缠……
总统拍档
杰克·莱蒙,詹姆斯·加纳,丹·艾克罗伊德他们——曾经执掌国家，如今却为自已的生计而忙碌，他们——是不同政党的对立方！他们——便是两个美国前总统！由于现任总统把他俩卷入到了一桩丑闻之中，两个曾争吵不休的前任总统不得不走到了一起，走遍全国寻求证据以证明自己的清白。一路上趣事不断，笑料百出，却也让他们了解到了真正的美国，以及自己曾给普通百姓所带来的影响。更意想不到的是正当他们焦头烂额、疲于奔命时，又遭到了一伙武装分子的连连追杀。。。。。。
神探忠犬2：狼之城
艾伦·艾克哈特,坦娅·范·格拉恩,卡尔·桑宁,多米尼克·马厄,杰西卡·雷·斯坦利,莫特西·泰卡泰卡In “Muzzle: City of Wolves,” Jake Rosser (Eckhart), haunted by PTSD from his days as a K-9 officer, endeavors to lead a peaceful life with his family and retired K-9 companion, Socks. But the tranquility quickly dissolves when a ruthless gang targets them in a brutal attack. Determined to protect his loved ones, Jake and his new K-9 partner Argos delve into a violent underbelly of crime where Jake confronts corrupt officials, uncovers a perilous drug trafficking ring and battles his own inner demons.
捆绑上天堂
倪妮,周游,廖凡一个筋疲力尽的女人（倪妮 饰）点燃了一个心如槁木的男人（周游 饰），他们随欲而爱，开始了一段灵与肉、生与死紧紧捆绑的流亡之旅。 三地辗转，燃烧着，共入地狱。 四季流转，爱爽了，再上天堂。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.