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外出时刻
罗兰·拉斐特,埃马纽埃尔·贝克特,帕斯卡尔·格雷戈里,格雷戈里·蒙泰尔,安娜·卢瓦雷,Cyrille Hertel,卢安娜·巴杰拉米,Victor Bonnel,格林奇,托马斯·西梅卡,盖伊·托马斯,Véronique Ruggia罗兰·拉菲特([她])、艾玛纽尔·贝克特([我的国王])主演新片[外出时刻]( L’heure de la sortie，暂译)进入拍摄后期。本片由塞巴斯蒂安·马赫尼耶自编自导。故事讲述皮埃尔因一位年轻老师自杀，作为填补进入圣·约瑟夫学院工作。他很快发现这里青少年散发着一种敌意。本片预计8月2日杀青。
金箍上的裂痕
【内容由AI生成】画手林默在AI霸权时代陷入创作焦虑 。西游世界中，真大圣凭借金箍裂痕觉醒 ，单枪匹马击碎黑六耳幻化的巨型机械妖猴 。随着妖猴崩解，被囚禁的数据化作千万个神采各异的大圣众生相。现实中，林默拒绝AI优化并关上电脑，回归初心。他在爷爷墓前及街头孩童挥舞廉价金箍棒的欢笑中领悟到，AI虽能模拟形态，却无法替代人在不完美中坚守本心的“选择”。
复仇：爱的故事
尼古拉斯·凯奇,安娜·哈彻森,特丽莎·贝特曼,黛博拉·卡拉·安格,唐·约翰逊,约书亚·米克尔,罗科·纽金特,乔·欧科特贝克,卡特·伯奇,夏琳·蒂尔顿,迪克兰·图莱尼,卡拉·弗劳尔斯,吉米·冈萨雷斯,科里·斯科特·艾伦,迈克·普涅夫斯基,凯蕾·里维拉,沙维尔·德克里,迈克尔·帕帕约翰缇娜（安娜·哈金森 Anna Hutchison 饰）带着十二岁的女儿贝斯（特丽莎·贝特曼 Talitha Bateman 饰）于午夜走在回家的路上，遇见了一群小混混，小混混们强暴了缇娜，贝斯作为目击证人将施暴者们的面容牢牢记在了心底。在法庭上，贝斯当庭指认了凶手，然而，被告方找来了一位毫无道德底线并且巧舌如簧的律师，他们联手栽赃缇娜，颠倒是非黑白，而法官也只想息事宁人。 约翰（尼古拉斯·凯奇 Nicolas Cage 饰）是一名从业多年的老警官，虽然表面风光，但实际上他正在遭遇人生的中年危机。缇娜的案件激发起了约翰内心里熄灭已久的正义感，他决定挺身而出帮助这对可怜的母女。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
索命舞娘
麦迪·齐格勒,拉娜·康多,艾瑞丝·阿帕托,阿凡提卡·万达纳普,米利森特·西蒙兹,乌玛·瑟曼,莉迪亚·伦纳德,迈克尔·卡尔金,Kate Freund,克里斯蒂安·恰克瓦里,加博尔·纳吉帕尔,Julian Krenn,沙哈布·鲁巴达,鲍拉日·迈杰里,贝拉·奥尔萨尼,弗朗西斯·麦克伯尼,亚当·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet五个芭蕾舞者去参加比赛，却遭遇公车坠毁，被困在一家偏远旅馆中，遭遇杀身之祸，必须用自己的舞技逃脱危机。
神明2025
金圭丽,安闵尚尹智姬(金圭丽饰)从小自焚开始痴迷于巫术。在认识到可以利用男人得到想要的东西的事实之后，她开始通过整容改变长相，甚至伪造姓名、学历、身份，过着完全不同的生活。在这种情况下，尝到权力滋味的尹智姬终于陷入了要将大韩民国掌握在自己手中的野心之中，PD郑贤洙(安内相)和报道记者们在追踪迅速跃升为大选候选人的检察官出身的政治人物金硕一和她的过程中，对两人之间可疑的连接环节产生了强烈的疑惑，但越是接近可怕的真相就越是危险。。。。。。