失败是方法问题

⭐ 5.5 播放:42万 2026-05-01

一个清晨,警察们发现了一个可怕的罪案现场。

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剧情提要

一个清晨,警察们发现了一个可怕的罪案现场。

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咒·丝

戴立忍,梁静,翟子陌,孔宋今,安琥,张瑶

钢铁飞龙之再见奥特曼

侯勇,大张伟,金晨,曲哲明,向佐,罗云熙,郝劭文,汪铎,屈菁菁

攻克柏林

米凯尔·盖洛瓦尼,Boris Andreyev,Vladimir Savelev,Marina Kovalyova,N. Petrunkin,Marie Nováková,Yuri Timoshenko,A. Urasalyev,Nikolai Bogolyubov,扬·韦里希,Sofiya Giatsintova,K. Roden,鲍里斯·捷宁,维克托·斯坦尼岑,Oleg Frelikh,鲍里斯·里瓦诺夫,谢尔盖·比林尼科夫,Vladimir Lyubimov,Konstantin Bartashevi

布袋人

山姆·克拉弗林,安东尼娅·托马斯,威廉·霍普,史蒂芬·克里,弗兰基·科里奥,阿黛尔·莱昂斯,亨利·佩迪格鲁,莎伦·D·克拉克,尼尔·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden

生活残骸

柯林·奎恩,Devin Fabry,Carla Oudin,艾米·舒默,乔什·塞加拉,瑞恩·法瑞尔,Robert E. Torres,吉姆·佛罗伦丁,Robert Kelly,Dan Soder,约翰·塞纳,戴夫·阿特尔,瓦妮莎·贝尔,蒂尔达·斯文顿,兰道尔·朴,乔·格拉瑟,埃兹拉·米勒,布丽·拉尔森,迈克·比尔比利亚,诺曼·劳埃德,比尔·哈德尔,勒布朗·詹姆斯,丹尼尔·雷德克里夫,玛丽莎·托梅,戴夫·汉森,皮特·戴维森,吉姆·卡拉梅尔勒,马索·曼恩,克劳迪娅·奥多尔蒂,凯文·凯恩,蒂姆·麦道斯,妮基·格

绿液惊魂

乔·基瑞,连姆·尼森,乔治娜·坎贝尔,索茜·贝肯,瓦妮莎·雷德格雷夫,莱丝利·曼维尔,亚伦·赫弗南,埃洛拉·托尔基亚,罗伯·柯林斯,贾斯汀·塞林格,加文·斯波克斯,安德鲁·布鲁克,达雷尔·席尔瓦,露伊萨·里希特,纳赫尔·策盖,丹尼尔·里格比,克莱尔·霍尔曼,瓦伦蒂娜·波普科娃,纳纳·詹姆斯

午夜之子

幕后花絮

生人活祭

  媒体从业人员帕特里克·卡特(肯塔克尔·德利 Kentucker Audley 饰)意外联系到了失踪许久的姐姐卡罗琳(艾米·西米茨 Amy Seimetz 饰)。卡罗琳当初曾在戒毒所治疗,如今住进了一个名为“圣伊甸园”的地方,并自称过上了乌托邦般的生活。为了弄清姐姐的下落,帕特里克和同事兼好友山姆·特纳(AJ·鲍恩 AJ Bowen 饰)、杰克·威廉姆斯(乔·斯万博格 Joe Swanberg 饰)启程前往圣伊甸园的所在地调查。这座乐园位于一个鲜为人知的隐秘所在,许许多多生活中经历痛苦和坎坷的人们,在“父亲”(吉恩·琼斯 Gene Jones 饰)的感召和抚慰下重获新生。  出于媒体人的敏感,山姆取得了和“父亲”对谈的机会,但他却从对方幽默机智的谈吐中嗅到了一丝杀气……

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster