对她说
别名:对她有话儿 Hable con ella 马克(达里奥 葛兰帝内提Dar iacute;o Grandinetti饰)和贝尼诺(加维埃尔 ;卡马拉Javier C aacute;mara饰)在一场表演前都被深深感动。马克眼里泪光点点,坐在旁边的贝尼诺看到,心里被某种柔软的感情击到。本以为是萍水相逢,却不料这两个同病相怜的男人日后还有交集。 马克的女友莉迪亚(罗萨里奥 福罗雷斯Rosario Flores饰)本是一个职业斗牛士,比赛场上的意外令她变成了植物人。现在莉迪亚就躺在贝尼诺的诊所里接受治疗。马克每天来到这里,盼望莉迪亚能苏醒过来。 其实,贝尼诺也在这里守着他的爱情,一守就是四年。女孩阿里西亚(蕾欧诺 ;瓦特林 Leonor Watling饰)是一个芭蕾舞女生,贝尼诺曾经住在她的舞蹈室的对面,每天对翩翩倩影暗暗心动。当女孩遇到车祸变成植物人之后,贝尼诺每天都对她说话,相信她能听到的信念在他心中从未动摇。 两个男人,此刻都有相同的孤独,相同的处境,友谊在酝酿积聚。然而没想到,离开不多时的马克却接连收到噩耗,就连贝尼诺,也陷入了命运的漩涡。
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剧情提要
别名:对她有话儿 Hable con ella 马克(达里奥 葛兰帝内提Dar iacute;o Grandinetti饰)和贝尼诺(加维埃尔 ;卡马拉Javier C aacute;mara饰)在一场表演前都被深深感动。马克眼里泪光点点,坐在旁边的贝尼诺看到,心里被某种柔软的感情击到。本以为是萍水相逢,却不料这两个同病相怜的男人日后还有交集。 马克的女友莉迪亚(罗萨里奥 福罗雷斯Rosario Flores饰)本是一个职业斗牛士,比赛场上的意外令她变成了植物人。现在莉迪亚就躺在贝尼诺的诊所里接受治疗。马克每天来到这里,盼望莉迪亚能苏醒过来。 其实,贝尼诺也在这里守着他的爱情,一守就是四年。女孩阿里西亚(蕾欧诺 ;瓦特林 Leonor Watling饰)是一个芭蕾舞女生,贝尼诺曾经住在她的舞蹈室的对面,每天对翩翩倩影暗暗心动。当女孩遇到车祸变成植物人之后,贝尼诺每天都对她说话,相信她能听到的信念在他心中从未动摇。 两个男人,此刻都有相同的孤独,相同的处境,友谊在酝酿积聚。然而没想到,离开不多时的马克却接连收到噩耗,就连贝尼诺,也陷入了命运的漩涡。
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
精灵宝可梦:幻影的霸者索罗亚克
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