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剧情简介
2015年最新韩国影片，机译剧情；将拍摄不好的回忆抹去。一切坏我坏，我卖掉一面......但你他看到其他人不知道的唯一的人。只有那些谁是真诚的。郑南将交付，而不是假冒的奢侈品。让销shou鲜花的身体代替。
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水底惊魂
丹尼尔·祖瓦图,邦妮·丹尼森,克里斯·康罗伊,乔尼·奥尔西尼,葛瑞芬·纽曼,Mackenzie Rosman,马克·马戈利斯倚天屠龙记之魔教教主
李连杰,张敏,邱淑贞,黎姿,洪金宝,吴镇宇,吴耀汉,曹荣,闫怀礼,梁家仁,邹兆龙,田启文,张春仲,姬麒麟灵魂摆渡之风华绝代
于毅,岳丽娜,何花,杨昆,倪虹洁,刘智扬迷妄国度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt狄仁杰之通天浮屠
罗立群,许翔,张婉琳,侍宣如杀戮游戏
皮尔森·福德,乔·阿德勒,劳拉·阿什利·塞缪斯,迈克尔·加兰特,Mouzam Makkar,Sari Sanchez,Tommy Beardmore,Ryan Carr,Patricia Urbonas Clark,Brian Christensen,Jay Disney,Alicia Hilton,Justin Nesbitt,Debbi Burns,希拉里·安德森导演精选
百烛游戏2
A team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.
神来电
年轻的贡嘎和他的表弟巴特在一个废品场里意外发现了一个装满生锈十字架的手提箱。巴特灵机一动，决定将这些十字架改造成霓虹十字架，并逐户向第比利斯的居民推销。他们在城市郊区的漫游因此变成了一场寻找爱情与友情的冒险。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster