冰点下的幸福

0.9 播放:31万 更新:2026-04-28

三十岁的希瑙对人生没有大的追求,整日浏览色情网站,晚上与朋友喝酒胡混,闲赋在家靠领取救济金生活,并且不会处理与女人的关系,他的女友奥菲对他真心实意而他却心不在焉。恰逢圣诞节母亲回外婆家时,她的朋友劳拉(维多利亚•阿夫里尔 Victoria Abril 饰)来家里做客并住下了,俩人遂发生了关系,事后劳拉毫不在乎而希瑙却陷入了苦恼。次日母亲回家告诉他她竟然与劳拉是情人关系,于是希瑙每天便看着自己的情人劳拉和母亲相拥在床。一日劳拉告诉他,她怀孕了,并且要和希瑙的母亲养大这个孩子组成一个完整的同性恋家庭,而这个孩子正是希瑙的,希瑙面对眼前这杂乱的关系,不知如何面对......

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剧情赏析

三十岁的希瑙对人生没有大的追求,整日浏览色情网站,晚上与朋友喝酒胡混,闲赋在家靠领取救济金生活,并且不会处理与女人的关系,他的女友奥菲对他真心实意而他却心不在焉。恰逢圣诞节母亲回外婆家时,她的朋友劳拉(维多利亚•阿夫里尔 Victoria Abril 饰)来家里做客并住下了,俩人遂发生了关系,事后劳拉毫不在乎而希瑙却陷入了苦恼。次日母亲回家告诉他她竟然与劳拉是情人关系,于是希瑙每天便看着自己的情人劳拉和母亲相拥在床。一日劳拉告诉他,她怀孕了,并且要和希瑙的母亲养大这个孩子组成一个完整的同性恋家庭,而这个孩子正是希瑙的,希瑙面对眼前这杂乱的关系,不知如何面对......

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疯狂特警队

丹尼·伯恩,爱丽丝·波尔,米歇尔·布朗,伊万·阿达勒,萨宾·阿泽玛,帕特里克·米勒,弗朗西斯·利范德,安·玛丽文,弗洛亨特·皮耶,阿兰·杜泰,于尔班·康塞利埃,弗朗索瓦·温琴泰利

  特警队教官欧仁近来诸事不顺,而偏偏警队又突然空降了一个培训生乔汉娜,这个一心想成为法国特警队第一位女警官的培训生就像一颗定时炸弹,她给特警队惹了千奇百怪、层出不穷的麻烦,但每次都歪打正着,和队友一起出色完成各类高难度任务……

英雄三元里

严屹宽,刘秋实,孙昊,闻雨,王光辉,孙蛟龙,陶奕希,方洋飞,文东俊,李圣雄,王禹森,吕文军,陆丰,爱多,马铁摩

1840年鸦片战争爆发,英军侵略军攻破广州,饱经鸦片毒害的百姓活在至暗时刻。萧岗士绅何玉成(严屹宽饰)受关天培之托嘱,立志寻找时机保卫广州城。 故事从三元里村武馆教头刘三义(刘秋实饰)和其兄弟韦绍光(孙昊饰)企图烧毁十三行码头的洋商趸船开始... 影片质朴还原了三元里抗英这段鲜为人知的史实,用悲壮美学与历史质感交织的视听讲述了鸦片馆血案的个人复仇,到牛栏岗生死战的民族抗争。致敬民族先辈,当外侮侵犯时,每一个挺身而出的小人物,都是照亮民族暗夜的英雄。

基卡2025

玛侬·克拉维尔,Makita Samba,托马斯·库芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯纳德·布兰卡恩,Kadija Leclere,安纳尔·斯诺克,Thierry Hellin,埃洛迪·巴特尔斯

伴侣猝然离世,39岁的社工琪卡惊觉腹中孕育着新生命。尽管处境艰难,这个独自面对命运的女人仍决定留下孩子,用柔弱的肩膀扛起守护家庭的重量——在支离破碎的生活里,为未出世的生命筑起体面的避风港。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

恶梦侦相

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