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萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫地狱无泪
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苏菲亚·威希涅瓦,克里斯蒂·斯旺森,罗根·霍夫曼,戴夫·戴维斯,Anthony Marble,约翰·麦康奈尔同类精选
飞机和火山
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乔赛琳·唐娜休,汤姆·诺南,玛丽·沃伦诺夫,格蕾塔·葛韦格,AJ·鲍恩,迪·沃伦斯,希瑟·罗博,莉娜·邓纳姆,格雷厄姆·瑞斯尼克,缇·威斯特林中女孩
Selah Rose,Doug Wilder,Maggie Wilder冲破铁幕
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宋清晨,柳善,张赫镇,吴珉锡,郑海钧,韩秀妍,郑熙泰,申贤德,尹颂雅,张英,俊贤淑影视排行
即兴谋杀
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情报2025
许成泰,赵福来Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.
暗黑子午线
比利·斯洛特,戴夫·戴维斯,詹姆斯·摩西·布莱克一名腐败的新奥尔良侦探在放风时陷入两个犯罪团伙之间的战斗中。为了在夜晚生存下来，他必须找到一名杀手，并在凶手到达其他目标之前将他带走
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.