剧情简介
唐代,洛阳才子张君瑞(王书麒)赴京考试途鈡,于普救寺偶遇相国仟金莺莺(村川仟里),惊为天人。君瑞欲展开追求之际碰巧shan贼围攻普救寺,抢夺莺莺为押寨夫人。相国夫人留丅诺言,谁能解困便将莺莺给配之。君瑞得义兄白马将军协助抗敌,终杀退shan贼,并深深打动了莺莺芳心。相国夫人悔婚,君瑞大受打击一病不起,莺莺在深闺长嗟短叹,红娘(姜加玲)见状于心不忍,冒险暗鈡穿针引线,令一对痴侽怨钕约会偷情於西厢
为你推荐
噬童魔
杰西卡·麦丽奥德,Hannah Cheramy,约翰·埃梅特·特雷西,Jana Mitsoula,格内维夫·布彻纳,Connor Stanhope,乔安娜·纽马奇,Craig March孤儿萨曼塔,和她的养父母以及妹妹奥利弗住在一起,但是他的养父并不喜欢她,老是责骂她。由于他们的家位于森林深处,所以回家必须经过森林,但是,他们不知道森林里有树怪,他们能诱捕儿童,然后把抓到的孩子困到他们的巢穴,然后再幻化成孩子的模样,回到他们的父母身边,所以数百年来,这片森林数百年来都有儿童走失的案例,不幸的是,由于萨曼塔的疏忽,让她的妹妹独自穿过森林,然后就被树怪掳走啦,接着就发生了一连串死亡事件,那么萨曼塔一家能够逃过一劫吗?
末世家园
泰勒·霍奇林,凯特·波茨沃斯,水野索诺娅,兰斯·莱迪克,大卫·达斯马齐连,丹娜·格瑞尔,劳拉·凯洛蒂,兰斯·E·尼克尔斯,杰夫·蔡斯,布拉德·利兰,戴夫·戴维斯,大卫·詹森,托马斯·弗兰西斯·墨菲,迈克·P·纳尔逊,吉姆·格里森,戴恩·罗兹,Jacinte Blankenship,埃迪·马休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿尔·维森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa一对夫妇在被暴徒控制的中西部地带,只有通过与之斗争才能回家的故事,影片将于6月29日北美上映。
不可饶恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃尔福特,绍尔·鲁宾内克,弗兰西丝·费舍,安娜·莱文,大卫·木西,罗伯·坎贝尔,安东尼·詹姆斯,塔拉·弗莱德里克,贝弗利·埃略特,莉萨·雷波-马特尔,乔西·史密斯堪萨斯的农民威廉(克林特·伊斯特伍德 Clint Eastwood )年轻时曾是出名的杀手和劫匪,然而当遇上了克劳迪亚后,他的生活开始彻底改变。威廉和克劳迪亚结婚生子后,洗手不干,一家人过着幸福的生活。好景不长,克劳迪亚不久故去,威廉独立带着两个孩子过着清贫宁静的生活。 这时,该地区发生了一起牛仔醉酒殴打妓女并将其毁容的恶性事件,坏蛋警长达格特(吉恩·哈克曼 Gene Hackman 饰)只将此事草草了结,凶手仍逍遥法外。当地妓女纷纷捐钱,要求悬红1000美金请杀手来伸张正义。“思科菲尔德小子”找到威廉,要求合伙干这票买卖。为了给孩子们一个幸福富足的家庭,威廉终于答应再次出山。
天堂孤影1986
马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩,埃斯科·尼卡里,Kylli Köngäs,佩卡·莱霍,Jukka-Pekka Palo,Svante Korkiakoski,Mari Rantasila,Safka Pekkonen,Antti Ortamo,马托·瓦尔托宁,Sakke Järvenpää,Ulla Kuosmanen,Neka Haapanen,阿基·考里斯马基环卫公司垃圾车驾驶员尼卡德(Matti Pellonpää 饰)的老同事计划筹资组建自己的环卫公司,邀请尼卡德技术入股,但老同事不久急病突发身亡,尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事,在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜(Kati Outinen 饰),但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒,尼卡德帮助她找到服装店的新工作,服装店经理夹到尼卡德与伊罗娜的关系中间,但尼卡德最终夺回了自己的爱人。 本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基(Aki Kaurismäki)无产阶级三部曲的第一部。
密探2025
瓦格纳·马拉,乌多·基尔,加布里埃尔·利昂纳,马丽娅·费尔南达·康基多,艾米拉·盖德斯,爱丽丝·卡瓦略,托马斯·阿基诺,伊萨贝尔·祖拉,苏茜·洛佩斯,若昂·维托尔·席尔瓦,罗尼·韦列拉,鲁本斯·桑托斯,卢西亚诺·基罗利,布达·里拉,吉米·阿斯特利,罗贝里奥·迪奥热内斯,伊戈尔·德·阿劳若,塔尼娅·玛丽亚,劳拉·卢费西,吉安妮·阿尔布开克1977年,在被军事独裁统治折磨的巴西,四十多岁的马塞洛逃离了他混乱的过去,来到累西腓,希望在这里建立新的生活并与家人重修旧好。然而,他并未料到死亡威胁如影随形,笼罩在他的头顶。
大明嫔妃之逐鹿
宋洋,何杜娟,朱一龙,陈一诺,王艺曈,王春妹处死朱由桦的当天,朱由桦离奇失踪,梅儿和兰心都因此受到责罚。兰心不顾太子反对,执意要将朱由桦送还给三皇子,却发现马车上的孩子竟然不翼而飞。兰心和太子感情出现嫌隙,梅儿和金碧瑶使出浑身解数争得太子宠爱。太子和万历等人到郊外狩猎,有人暗杀太子,梅儿为太子挡下一箭,生命垂危,太子深受感动,认为欠梅儿太多。上官鸿业调查太子行刺事件,却发现幕后的真凶并不是众人猜想的三皇子,而是梅儿。梅儿册封当天,郑贵妃揭出了梅儿乃娼妓之女的秘密,让梅儿不能受封。郑贵妃趁势发动自己的亲信弹劾上官鸿业,兰心救父心切,却误会太子,两人再次不欢而散。失踪多日的朱由桦突然出现在兰心房中,将朱由桦放入篮子中带入宫去,却被梅儿换成了旋儿,兰心带“朱由桦,”进宫,巧遇为上官鸿业来求情的太子,太子再次产生了误会。在王恭妃和郑贵妃的逼迫下,太子提剑杀死了璇儿 ,等知道时璇儿已经没有了呼吸。兰心伤心欲绝。兰心带幸存的朱由桦离去,太子策马追去,却寻不见踪影了。皇上以太子妃一位不可久缺为由,册封大学士王中泽之女王氏为太子妃。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.