超级诱惑
伊莎贝尔Sarli的音乐练习最著名的电影。在卡恩（肉），我们发现伊莎贝尔Sarli的音乐练习打DELICIA，一个肉类冷冻厂一个年轻的处女工作者的角色。在片中她被强迫时的时间在冰箱卡车的背面后，由几个粗鲁的同事，被救出有点太晚了她的男友，也唯有他能看见直通她的;肉质鲜美 rdquo;，她的纯洁的灵魂的。 ;媚俗 rdquo;的杰作。 DELICIA（伊莎贝尔Sarli的音乐练习）是在肉类包装厂在那里她成为强迫的受害者工人。之后，她让爱她的男朋友，她是轮奸谁使用床的冷冻牛尸体在冰箱里为他们的攻击的地盘工人。她的情人，一个理想主义的艺术家谁在油漆涉猎，发现违规和苛求他的复仇在拳头打架的愤怒的罪犯。该功能是通过荒谬的对话困扰，特别是在强迫后一个场景作为DELICIA被两名男子走近，她问：;你有什么打算？ rdquo;
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剧情提要
伊莎贝尔Sarli的音乐练习最著名的电影。在卡恩（肉），我们发现伊莎贝尔Sarli的音乐练习打DELICIA，一个肉类冷冻厂一个年轻的处女工作者的角色。在片中她被强迫时的时间在冰箱卡车的背面后，由几个粗鲁的同事，被救出有点太晚了她的男友，也唯有他能看见直通她的;肉质鲜美 rdquo;，她的纯洁的灵魂的。 ;媚俗 rdquo;的杰作。 DELICIA（伊莎贝尔Sarli的音乐练习）是在肉类包装厂在那里她成为强迫的受害者工人。之后，她让爱她的男朋友，她是轮奸谁使用床的冷冻牛尸体在冰箱里为他们的攻击的地盘工人。她的情人，一个理想主义的艺术家谁在油漆涉猎，发现违规和苛求他的复仇在拳头打架的愤怒的罪犯。该功能是通过荒谬的对话困扰，特别是在强迫后一个场景作为DELICIA被两名男子走近，她问：;你有什么打算？ rdquo;
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.