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⭐ 7.8 播放:26万 2026-04-28

柏林的冬天。米特区一个破旧的公寓里,女导演尼娜Nina(米丽娅姆 马耶特饰)为她的一部关于爱和性的电影筛选男女主角。尼娜是个探索型导演,在她看来,爱不一定非得要有情感,她希望她的电影比较真实地描述x愛。由此,她与筛选出来的男女主角汉斯Hans(马蒂亚斯;福斯特饰)和玛丽Marie(拉娜;科佩饰)在只有构思框架非常模糊的剧本下的亲密合作,变成了电影、情爱和身体的实验,最终将影响他们三人之间的私人关系,以至于剧情和现实之间的界限消失殆尽......   

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剧情提要

柏林的冬天。米特区一个破旧的公寓里,女导演尼娜Nina(米丽娅姆 马耶特饰)为她的一部关于爱和性的电影筛选男女主角。尼娜是个探索型导演,在她看来,爱不一定非得要有情感,她希望她的电影比较真实地描述x愛。由此,她与筛选出来的男女主角汉斯Hans(马蒂亚斯;福斯特饰)和玛丽Marie(拉娜;科佩饰)在只有构思框架非常模糊的剧本下的亲密合作,变成了电影、情爱和身体的实验,最终将影响他们三人之间的私人关系,以至于剧情和现实之间的界限消失殆尽......   

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辣手警花

桑德拉·布洛克,梅丽莎·麦卡西,德米安·比齐尔,马龙·韦恩斯,迈克尔·拉帕波特,斯波肯·瑞恩斯,迈克尔·麦克唐纳,丹·巴克达尔,比尔·伯尔,杰西卡·查芬,内森·科德里,塔兰·基拉姆,简·库丁

一百样东西

弗洛里安·大卫·菲茨,马提亚斯·施维赫夫,米里亚姆·斯坦因,汉内洛勒·埃尔斯纳,卡特琳娜·塔巴赫,约翰尼斯·艾麦亚,马克西米利安·梅耶-布雷泽内德,玛利亚·佛万格勒,沃尔夫冈·斯塔姆普,Sarah Victoria Frick,Artjom Gilz,丹尼尔·弗利格,Milo Eisenblätter,Nora Boeckler

河童之子

本·麦肯锡,博亚娜·诺瓦科维奇,索耶·琼斯,马尔科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大卫·吉布森,Rebecca Nelson,詹姆斯·亚当·林,横田実优,大卫·莱文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里

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修女2

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狗心1988

叶甫根尼·耶夫斯基格涅耶夫,Vladimir Tolokonnikov,鲍里斯·普洛特尼科夫,Roman Kartsev,尼娜·鲁斯拉诺娃,Evgeniy Kuznetsov,Olga Melikhova,阿列克谢·米罗诺夫,Anzhelika Nevolina,Valentina Kovel,谢尔盖·菲利波夫,Roman Tkachuk,娜塔莉亚·拉平娜

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

假如比尔街可以作证

 《月光男孩》导演巴里·杰金斯日前敲定新片,他将把知名作家詹姆斯·鲍德温的小说《假若比尔街能够讲话》(If Beale Street Could Talk)搬上大银幕,故事设定于上世纪70年代的纽约哈林区,主角是一对刚订婚的年轻情侣芬尼(Fonny)和蒂什(Tish)。芬尼被诬告强奸,而身怀六甲的蒂什将四处奔走寻找证据证明丈夫的清白。梅根·埃里森创立的安纳普尔纳将投资本片,也将和《月光男孩》制片公司Plan B、杰金斯本人的Pastel工作室一同制作本片,10月开拍。