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退伍军官
亚尼·卡普尔,莫娜·辛格,拉狄卡·马丹,Aditya Rawal,沙鲁巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital调味的房子
西恩·帕特维,安娜·沃尔顿,罗希·戴,凯文 霍华斯,杰玛·鲍威尔,丹尼尔·维维安,阿德里安·布薛特,Christopher Rithin,肖恩·克罗宁毛骨悚然撞鬼经 2006夏季特别篇
伊藤淳史,夏川纯,堀北真希,桐谷美玲,高岛政伸,温水洋一,释由美子,岩佐真悠子,大岛美幸,村上知子,平冈祐太,柴田理惠喜马拉亚星
郑中基,张柏芝,刘青云,应采儿,吴镇宇,黄又南,徐天佑,李兆基,黄光亮,成奎安镖人:风起大漠
吴京,谢霆锋,于适,陈丽君,孙艺洲,此沙,李云霄,梁家辉,张晋,惠英红,张译,李连杰,刘耀文,熊瑾怡,莒谦朗,白那日苏,梁壁荧,文俊辉,董思成,林秋楠,景瓷,张艺泷,李嘉辉,寇占文,代乐乐,释彦能,徐向东,淳于珊珊,孟鹤堂,于荣光,陈少熙,赵箭,袁和平穷养攻略2
米洛斯·比柯维奇,帕维尔·杰列维扬科,阿格拉娅·塔拉索娃,奥尔加·迪布采娃,玛丽亚·米罗诺娃,伊万·阿赫洛贝斯金,亚历山大·斯莫勒克,索菲娅·扎伊卡,基里尔·纳吉耶夫,Dmitry Belyakin,Olivier Siou,Andrey Malakhov,娜塔莉亚·罗戈日金娜,彼得·布斯洛夫,Viki Odintcova,Sergey Shestepyorov,Sergey Rozhnov,埃利扎维塔·洛托娃,Kseniya Stoyakova,Sergey Gabrielyan同类精选
铁肺
马克·费施巴赫,卡萝·卡普兰,特洛伊·贝克,埃尔希·洛夫洛克,艾丽·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮尔斯,Seán McLoughlin,David Szymanski,丹妮尔·普勒格,拉胡尔·寇利,Ethan Nestor,瓦尔基雷多诺万的脑袋
刘·艾尔斯,吉恩·埃文斯,南茜·戴维斯,斯蒂夫·布罗狄她的重生
玛丽安娜·芳塔娜,乔瓦尼·安扎尔多,Demetra Avincola,Dalila De Marco,洛伦索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese迪瓦塔·缪斯
喜羊羊与灰太狼之异国破晓
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忍者龙剑传
难波圭一,冬马由美,若本规夫,乡里大辅,榊原良子,石冢运升,铃木沙织,浦和惠,里内信夫,增田有宏,川津泰彦,沼田祐介,内海秀雄,小川真司现代超忍继承龙之一族血统的隼流忍者龙隼(リュウ・ハヤブサ,Ryu Hayabusa)因其父亲被杀,而手持由龙牙削制成的龙剑(龙剣,Dragon Sword),踏上复仇之路,并最终消灭了邪鬼王和邪神。和邪鬼王宿命之战的一年后……龙之忍者——龙·隼面临着新的冒险。忍者龙剑传是日本TECMO公司所推出的系列游戏,并於多种平台发行,也是以超高难度见称的动作游戏。本片改编自FC平台的忍者龙剑传三部曲的第二部《忍者龙剣伝II ~暗黒の邪神剣~》
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
神探巴克希
苏尚特·辛格·拉吉普特,菊池隆则,阿南德·蒂瓦里,Swastika Mukherjee本片讲述大学刚毕业的神探巴克希,对抗一个想要破坏地球的邪恶天才的故事。主宾国影片《神探巴克希》由印度著名商业电影导演迪巴卡尔·班纳吉指导,融合悬疑、侦探、40年代等元素,塑造了一个印度“夏洛克·福尔摩斯”形象,有着强烈的人格魅力。影片有很强的故事性,动作场面极具想象力,从演员服装、外景设计、汽车道具都做到了一丝不苟。有张力的悬疑剧情能让观众们在2小时的观影时间内目不转睛。
学园便利屋
古川登志夫,平松広和,関俊彦,荘真由美,塩沢兼人片山愁の漫画『学園便利屋』シリーズが原作のOVA。本作の副題である「アンティークハート」は脚本家の渡辺麻美によってつけられたもので、登場する妖精・沙姫も本作のためのオリジナルキャラクターである。アニメの実制作はJ.C.スタッフ。頭脳面を担うリーダー格の鈴木斉、単純明快な本田高弘そしてクールさが特徴の川崎亨。彼ら3人は揉め事から代返まで何でもこなす学園の便利屋だ。そんな一同は体育館の新築に伴う旧校舎の取り壊しが決定する中、そこの整理をはじめるが、やがて内部に住みついている妖精の長・沙姫が出現。古くから存在する器物に宿った古き物の心「アンティークハート」の精霊たちを守るため、心優しい沙姫は豹変して人間と戦おうとするが。