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魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子《蜘蛛男》是“江户川乱步作品集”第七卷。故事开头，怪绅士稻桓租下了一间事务所，把它重新装修成美术艺品店。第二天开业时聘用了一名十八岁的美少女，但当天晚上就奸杀了这名少女。接下来的几天内报纸社会版头条陆续刊登了“碎尸案”、“美人鱼案”。民间犯罪学者畔柳博士接手此案，在与蓝胡子稻桓正面交锋的过程中屡屡败下阵来，直到环游归来的明智加入侦破阵营……，故事从读者预测不到的角度展开，是一部名探与杀人狂的斗智故事。
驱魔
劳拉·琳妮,汤姆·威尔金森,詹妮弗·卡朋特,坎贝尔·斯科特律师艾琳（劳拉·琳妮 Laura Linney 饰）接到一桩官司。一名神父由于用宗教手段——驱魔仪式来治疗女孩艾米莉的重病，因而使得艾米莉耽误了正确的药物治疗时间。法庭上，一场宗教与科学之争展开了。 事件的开端，源于19岁女大学生艾米莉（珍妮弗·卡彭特Jennifer Carpenter饰）的恐怖遭遇。她在大学宿舍睡觉时，感觉有灵异恶魔来侵，接下来更为惊悚的事情陆续发生。艾米莉一反常态，她变得双眼发黑，行为怪异，整日活在犹豫恶魔缠身的梦魇中，艾米莉无法控制自己的意志，痛苦得生不如死。家人为她找来精神病医生，却毫无起色。无奈下，请来神父（汤姆·威尔金森 Tom Wilkinson 饰）一探究竟，才得知艾米莉被远古六恶魔上了身。万魔缠身的她，只有通过宗教仪式进行驱魔，才有可能逃出生天。 神父的驱魔并没有挽救艾米莉，还引来了控告。无神论者却认为，恶魔缠身是无稽之谈。
钢铁飞龙之再见奥特曼
侯勇,大张伟,金晨,曲哲明,向佐,罗云熙,郝劭文,汪铎,屈菁菁保护地球、维护和平，奥特曼对于地球人来说曾经是神一样的存在，但是近几十年，他却消失不见行踪成谜……随之取替他的是钢铁飞龙精锐小分队——隶属于GSB地球安全保卫组织。而GSB近期不断收到地球能源异常报告，全球各地纷纷出现巨大灾难。GSB组织派出钢铁飞龙，查明能源异常原因，却意外发现事件与奥特曼有关系……新旧两代地球守护者的意外相见，却成为你死我活的敌对双方。到底，这是一场意外还是一场阴谋，是谁看到了最后的事实真相？
北部丛林
尼克·斯塔尔,奥利维亚·王尔德,达什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
惊魂绣花鞋
何乙轩,刘汉兆,辉灿,周昕妤,郭亚菲,郭玉英,贾明瑛一双绣花鞋，隐藏着一个死亡诅咒，凡是穿过绣花鞋的人都意外惨死，无一幸免。安雯（何乙轩 饰）大病未愈，摆脱了丈夫潘航（辉灿 饰）和医生的看护，独自逃回老家古宅生活。安雯在老宅发现了一双祖上流传并受到死亡诅咒的绣花鞋，阴差阳错之下绣花鞋穿在了她的脚上，意外开启了绣花鞋上的死亡诅咒。咒怨生效冤魂索命，盘桓在老宅之中的诡影无处不在，无法摆脱的恶灵如影随形，迫使频临崩溃的安雯做出疯狂的举动，陷入一场危机四伏的惊魂逃亡……
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster