播放通道
详细简介
热门影视 大家都在看
银瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·维斯特伍德,James Cavlo车库惊魂
韦斯·本特利,瑞秋·尼科尔斯,西蒙·雷诺兹,菲利普·阿金,史蒂芬·穆尔,米兰达·爱德华兹,李善亨,格蕾丝·林恩·孔,芭丝谢芭·加内特,Philip Williams,阿诺德·平诺克,弗兰克·卡方毛骨悚然撞鬼经 2025夏季特别篇
小栗旬,上野树里,冈田将生,佐藤健,绫濑遥,石原里美,出口夏希超声
文森特·卡塞瑟,切尔西·洛佩兹,布瑞达·伍尔,滕德·艾德比佩,蕾妮·库利,鲍勃·斯蒂芬森,达娜·林恩·拜伦,Jim Boeven,Chris Dougherty,波特·琳·杨,Tony Evangelista,达维达·威廉姆斯,马克·伯恩汉姆,Cheryl Dent,Gabe Fonseca寂静的朋友
梁朝伟,卢娜·韦德勒,恩佐·布鲁姆,蕾雅·赛杜,西尔维斯特·格罗特,黄云,卢卡·瓦伦蒂尼,菲利克斯·布罗斯,赖纳·博克,玛莱内·布罗,厄文·吉瑟,约翰内斯·赫格曼,斯凯·霍夫曼,约翰内斯·沙伊德魏勒,马丁·乌特克捏造贝多芬
山田裕贵,古田新太,染谷将太,神尾枫珠,前田旺志郎,小泽征悦,生濑胜久,小手伸也,野间口彻,远藤宪一,藤泽凉架,新原泰佑,前原瑞树,堀井新太,坪仓由幸,西田尚美,市川纱椰,安井顺平,泉泽祐希,前野朋哉同类推荐
古剑奇谭之焚寂天劫
白澍,梁婧娴,姜震昊,黄羿,王景灏蓬莱大战三百年后，百里屠苏终被风晴雪复活，欧阳少恭也被巽芳救出。蚩尤控制少恭危害百姓，众人合力对抗却不敌。屠苏得到女娲指点，将剑魄给予少恭，合体击败蚩尤，以死换得天下太平。
致命围困
米莎·巴顿,黛博拉·卡拉·安格,卡梅隆·布莱特马里斯特拉扎被称为建筑界的艺术家和大师，他所设计的建筑被同行奉为典范。在某个，一幢马里斯特拉扎的代表作拔地而起，然而这里却发生了惨绝人寰的凶案。许多无辜之人被砌在墙壁中，浇筑水泥窒息而死，这幢大楼也从此废弃。 15年后，年轻美丽的女拆迁工程师萨曼莎（Mischa Barton 饰）自学校毕业，她从父亲手中得到拆毁那幢大楼的任务。萨曼莎独自一人前来，在这里认识了女管理员玛丽•苏特（Shannon Jardine 饰）和她的儿子吉米（Cameron Bright 饰）。从母子的口中，萨曼莎得知这幢大楼的一些禁忌，而在吉米的引导下，她逐渐发现这里阴暗的一面……
杀人漫画
严基俊,李施吟,金显祐,吴光禄当红网络恐怖漫画作家姜知允（李诗英 饰）新作接连问世，备受好评。而生活中她似乎越来越分不清现实和虚幻的界限，不仅经常遭遇极度逼真的恐怖噩梦，身上还常出现莫名其妙的伤口。某个夜晚，姜作家的责编徐美珍以极其残忍的方式自虐身亡，而其死亡过程和现场惨状竟与姜作家不久刚刚发给她的新作内容如出一辙。未过多久，又发生了一起和漫画内容相似的殡仪馆杀人事件。盆唐警局刑警琪哲（严基俊 饰）和后辈金永秀（金显祐 饰）介入调查，并慢慢追踪到姜作家鲜为人知的背景。 霓虹灯下鬼影幢幢，每个人心中都有不愿为人知晓的秘密，冤有头，债有主。因果报应，毫厘不爽……
KING OF PRISM -Your Endless Call- 大～家一起闪耀！PRISM☆TOURS
寺岛惇太,齐藤壮马,畠中祐,八代拓,五十嵐雅,永冢拓马,内田雄马,苍井翔太,武内骏辅,杉田智和,柿原彻也,前野智昭,增田俊树,三木真一郎,关俊彦,森久保祥太郎,浪川大辅,中山咲月,山下诚一郎,小林龙之,土田玲央,河合健太郎,鹈泽正太郎,橘龙丸,浦田涉,天月,梶原岳人,田丸笃志,近藤隆,大桥贤一郎,冈本信彦《棱镜少男 KING OF PRISM》系列新电影
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster