剧情纵览
护士北岛英理(天使もえ)在下班回家的夜路上被暴徒袭击,不过,被恰巧路过的吉田顺一(神谷哲太)帮助,那个事契机开始交际。英理早亡双亲,过着孤独的每一天,和每天工作压力大、认真生活的顺一两人很快被吸引。但是英理负责看护的老女二宫岬(谷川美雪)对两人的交往持怀疑态度。不顾海角的担忧,最终两个人一起生活。有一天,英理把晚饭送到外卖,顺一的态度突然发生了变化。突然把英理撞飞,开始大声斥责;马上准备吃饭。
护士北岛英理(天使もえ)在下班回家的夜路上被暴徒袭击,不过,被恰巧路过的吉田顺一(神谷哲太)帮助,那个事契机开始交际。英理早亡双亲,过着孤独的每一天,和每天工作压力大、认真生活的顺一两人很快被吸引。但是英理负责看护的老女二宫岬(谷川美雪)对两人的交往持怀疑态度。不顾海角的担忧,最终两个人一起生活。有一天,英理把晚饭送到外卖,顺一的态度突然发生了变化。突然把英理撞飞,开始大声斥责;马上准备吃饭。
1945年,盟军突入德国,德国疯狂科学家李然博士研究的项目----科学怪人法兰克的心脏被潜艇秘密转移到了其同盟国日本的广岛陆军医院,供起研究出不死的士兵,然而核子爆炸使一切化为灰勁.十五年后,科学家在广岛研究核子放射能对人类还有环境的研究中,意外的发先了一个孩子,在检测 中发现其虽然受过核子放射能的照射,但一点都没有被污染,经过调查发现原来这个孩子在核子爆炸后迷一样的出现在广岛的英树医院(原广岛陆军医院),而且他还在不停的变大,所以科学家们推测当年的法兰克的心脏在受到了放射能的影响后,发生了异变,他们称其为广岛怪人法兰克.然而这时的法兰克已经变大到人们不可控制的地步,并且逃出了医院,另一方面,在秋田油田,出现了地底怪兽,最后两只巨大的生物在平原相遇,并进行了激烈的战斗,最后法兰克用火战胜了地底怪兽,然而与此同时一只大章鱼在悄悄的接近他.........
18岁的郑微(杨子姗 饰)终于如愿考上青梅竹马邻家大哥哥林静(韩庚 饰)所在学校的邻校,等她满怀期冀地步入大学校园,却遭遇打击——林静出国留学,杳无音信。郑微倍感失落,患难时刻与室友阮莞(江疏影 饰)、朱小北(刘雅瑟 饰)、黎维娟(张瑶 饰)及师哥老张-张开(包贝尔 饰)结 下深厚友谊,同时富家公子许开阳(郑恺 饰)对郑微展开了疯狂的追求,而备受男生欢迎的阮莞用她特有的清冷守护着对于心爱人赵世永(黄明 饰)的忠贞。一次偶然的误会使郑微与老张室友陈孝正(赵又廷 饰)结为死敌,在一次次地反击中,郑微发现自己爱上了这个表面冷酷、内心善良的高材生,于是疯狂地反击演变为死缠烂打地追求,而陈孝正也终于在强攻之下缴械投降,欢喜冤家终成甜蜜恋人。大四毕业之际郑微的生活再次经受考验:陈孝正得到曾毓(王嘉佳 饰)的出国留学名额,却迟迟不敢告诉郑微,感觉再次被欺骗的郑微痛苦地离开陈孝正…… 多年后,郑微已蜕变为职场上的白领丽人,竟再次品尝命运的无常:带着悔意和爱意的林静和陈孝正同时回到她的生活里!郑微,这个昔日的玉面小飞龙,将怎样面对生活和青春赐予她的迷雾和抉择…… 本片改编自辛夷坞同名畅销小说。赵薇的首部导演作品,也是其在北京电影学院导演系研究生专业的毕业作品。
故事发生在20世纪90年代,讲述了本已打算金盆洗手的摸金三人组胡八一(张涵予饰)、王凯旋(姜武饰)、Shirley杨(卢靖姗饰)在大金牙的劝说下又操起老本行,但原本以为只是简单任务的他们却因意外身陷危机,不得不重新踏上凶险万分的地下之旅。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.