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珍妮·盖诺,查尔斯·法莱尔,娜塔莉·金斯顿,亨利·阿尔梅塔,圭多·特伦托,阿尔贝托·拉巴利亚蒂,路易斯·利格特,弥尔顿·迪克森午夜之子
最小的女儿
纳迪亚·梅利蒂,朴智敏,阿米娜·本·莫哈迈德,梅丽莎·古尔斯,丽塔·邦曼纳纳,Razzak Ridha,路易·梅米,Waniss Chaouki,阿诺亚·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·谢夫曼,Gabriel Elkaïm,Vincent Pasdermadjian,Victorien Bonnet大明嫔妃之困斗
宋洋,何杜娟,朱一龙,陈一诺AI 爱上你
平采娜·乐维瑟派布恩,马里奥·毛瑞尔,萨哈贾克·波斯安吉特,大卫·阿萨瓦纳德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul我的朋友安德烈
刘昊然,董子健,殷桃,韩昊霖,迟兴楷,董宝石,宁理,雷佳音,章若楠,张宥浩,薛宝鹤同类精选
呕吐戈尔：杀戮
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姜文,马丽,张乘郝,王硕珑,陆一,于和伟,余皑磊,何赛飞,辛芷蕾,雷佳音,葛优,王传君,胡歌,甄子丹,丁志诚,李屏宾,李子为,曹操,吉娜·爱丽丝透明人与蝇男
北原義郎,品川隆二,叶順子,毛利郁子,南部彰三,見明凡太朗姐妹董事会
蕾切尔·蕾·库克,丹妮拉·莫奈,列奥尼达斯·古拉普蒂斯红衣新娘2022
莎拉·菲尔伯鲍姆,爱德华多·诺列加,安娜·加列娜,迪诺·阿布雷夏,克里斯蒂娜·多纳迪奥,Maurizio Marchetti,马西莫·吉尼,罗伯塔·吉拉鲁索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基萨·梅加,Gino Nardella, 玛丽西亚·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda Spadea混凝土市场电影版
李在仁,红炅,郑满植,刘秀彬,金国熙,崔正云,宋智仁,李家晴,李道根,孙寅勇影视排行
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平野生成,佐藤里菜,木口健太,北原帆夏,山田绢绪,细川佳央,桥野纯平,中山求一郎柾木在大学好友池内的邀请下去观看舞台剧，并被登台表演的芙蓉所吸引。然而，他逐渐开始怀疑芙蓉与池内之间的关系。于是柾木与一个对芙蓉心怀厌恶的神秘女子小林合作…… 影片根据江户川乱步的同名中篇小说改编。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
校园鬼
韩艺璃,金花雨,申智秀,朴元尚,李钟硕1）因和同学打赌赌输，朴贞元、云贞等三个女孩被迫潜入传说中闹鬼的废弃校舍内探险。她们战战兢兢、心慌意乱，闹出不少自己吓自己的笑话。然而，女孩们的吵闹惊动了此前曾死在这里的一个女孩的怨灵，她似乎有意将这三个冒失的闯入者留在这里。 2）圆圆和齐齐是一对情同姐妹的好朋友，但是她们的友情正受到严峻的考验。她们同时喜欢上帅气的学生会主席，也因成绩优秀将共同角逐校长的推荐升学资格。一切朝着不可预测的方向发展。 3）高中男孩具有敏感体质，他能看到周围的鬼魂。他在教室中被一个少女的鬼魂缠上，女孩死于非命，而杀害她的凶手的鬼魂不久也尾随前来……
电影版 即便如此，我还是想和妻子做
风间俊介,山野仁,岛田铁太,吉本实忧,熊谷真实,近藤芳正,内田慈本片改编自足立绅同名小说，电影版是包括未公开场景的导演剪辑版本。年过40却依然不受欢迎的编剧、没有收入的废柴丈夫·柳田豪太（风间俊介 饰），与吃软饭一样的丈夫和儿子一起维持生活、拒绝丈夫的邀请、还破口大骂的可怕妻子·柳田千花（MEGUMI 饰），两人之间展开了又笑又哭的夫妇故事。