狩猎之夜
On暂无内容a暂无内容cold暂无内容dark暂无内容night暂无内容a暂无内容mysterious暂无内容blonde暂无内容girl暂无内容is暂无内容seen暂无内容running暂无内容around暂无内容in暂无内容the暂无内容woods.暂无内容It's暂无内容Elisabeth暂无内容(Brigitte暂无内容Lahaie),暂无内容who暂无内容has暂无内容escaped暂无内容from暂无内容a暂无内容high-rise暂无内容prison,暂无内容where暂无内容people暂无内容are暂无内容kept暂无内容who暂无内容have暂无内容been暂无内容contaminated暂无内容by暂无内容an暂无内容environmental暂无内容accident.暂无内容Their暂无内容thoughts,暂无内容memories暂无内容and暂无内容emotions暂无内容are暂无内容slowly暂无内容eaten暂无内容away暂无内容by暂无内容disease,暂无内容turning暂无内容them暂无内容into暂无内容sad,暂无内容helpless暂无内容creatures.暂无内容A暂无内容young暂无内容man暂无内容(Vincent暂无内容Carder)...
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On暂无内容a暂无内容cold暂无内容dark暂无内容night暂无内容a暂无内容mysterious暂无内容blonde暂无内容girl暂无内容is暂无内容seen暂无内容running暂无内容around暂无内容in暂无内容the暂无内容woods.暂无内容It's暂无内容Elisabeth暂无内容(Brigitte暂无内容Lahaie),暂无内容who暂无内容has暂无内容escaped暂无内容from暂无内容a暂无内容high-rise暂无内容prison,暂无内容where暂无内容people暂无内容are暂无内容kept暂无内容who暂无内容have暂无内容been暂无内容contaminated暂无内容by暂无内容an暂无内容environmental暂无内容accident.暂无内容Their暂无内容thoughts,暂无内容memories暂无内容and暂无内容emotions暂无内容are暂无内容slowly暂无内容eaten暂无内容away暂无内容by暂无内容disease,暂无内容turning暂无内容them暂无内容into暂无内容sad,暂无内容helpless暂无内容creatures.暂无内容A暂无内容young暂无内容man暂无内容(Vincent暂无内容Carder)...
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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