迷城 (2010)

⭐ 7.5 播放:64万 2026-05-01

历史系大二学生赵坡(郭晓然 饰)是一个出身贫寒的男孩,他诚实善良、内向羞涩,周围的同学除了高干军队子弟就是来自富商海归的家庭,与他们比起来,赵坡俨然是一只寒酸可怜的丑小鸭。偶然的机会,他结识了发廊洗头妹甘秀(霍思燕 饰),这是一个出淤泥而不染的清纯女孩,为了养活智障的弟弟辛苦赚钱。某天,赵坡带着甘秀和同乡何昌兴(赵志刚 饰)、杜永庆(唐以诺 饰)外出游玩。但是却目睹两名同乡兽性大发,玷污了甘秀。在此之后,甘秀从赵坡的生活中彻底消失,他四处寻找,似乎进入了一个扑朔迷离的世界…… 本片荣获第13届上海国际电影节传媒大奖最佳导演奖和最佳新人奖。

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▶ 播放 迷城 (2010)

剧情提要

历史系大二学生赵坡(郭晓然 饰)是一个出身贫寒的男孩,他诚实善良、内向羞涩,周围的同学除了高干军队子弟就是来自富商海归的家庭,与他们比起来,赵坡俨然是一只寒酸可怜的丑小鸭。偶然的机会,他结识了发廊洗头妹甘秀(霍思燕 饰),这是一个出淤泥而不染的清纯女孩,为了养活智障的弟弟辛苦赚钱。某天,赵坡带着甘秀和同乡何昌兴(赵志刚 饰)、杜永庆(唐以诺 饰)外出游玩。但是却目睹两名同乡兽性大发,玷污了甘秀。在此之后,甘秀从赵坡的生活中彻底消失,他四处寻找,似乎进入了一个扑朔迷离的世界…… 本片荣获第13届上海国际电影节传媒大奖最佳导演奖和最佳新人奖。

幕后花絮

死亡笔记美版

  梁倩(曹斐然 饰)自小就失去了父母,孤苦伶仃的生活在孤儿院中。奶奶的出现给梁倩灰暗的生活带来了新的希望,奶奶将梁倩带回家,精心照料,渐渐的,梁倩从曾经那个灰头土脸的小姑娘,出落成了亭亭玉立的美人。  虽然拥有温婉美丽的外表,但梁倩的个性却格外的叛逆,干了许多莽撞而疯狂的事情。奶奶因为无法接受梁倩未婚先孕的事实,突发脑溢血去世了,追悔莫及的梁倩在奶奶的遗物中发现了一本神秘的笔记本,其中记载了自己的前世今生。梁倩决定守着奶奶留下的大房子,生下腹中的孩子,然而,一个陌生女租客的到来却令梁倩的生活再度陷入到了疯狂的危险和阴谋之中。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster