欲火狂蜜

　　产科女医生孝珍（柳贤静 饰）梦想跟女朋友一起领养婴儿，而英俊的大夫民秀（郑爱延 饰）和男朋友亦希望拥有自己的生活。由于同属一家医院又各有憧憬，一拍即合的四人决定办理假结婚，更把住所搬到相连。然而这种既享受异性婚姻福利，又与同性爱人甜蜜的双重生活，注定不能长久——民秀父母的意外到访让原本天衣无缝的大计遇到撞板考验，究竟他们能否瞒「基」过海？　　一对男男和一对女女，为隐瞒同志身份约好假结婚，结果被无心构筑的四人世界搞得焦头烂额。本片是韩国新锐同志导演金赵光秀的首部长片作品，讲述男男女女浪漫跨界的爱情喜剧，入围2012年釜山国际电影节。

　　云岩亭是代表大韩民国最高水准的料理机构，每到换届时会选出一名最强的弟子担任继承人，这一届出现了两个料理高材生，天赋极高的成灿（金康宇 饰）和野心勃勃的奉洙（林元熙 饰）。在最后的比试中，奉洙用卑鄙的手段设局，自己中选的同时，还将成灿赶出了云岩亭。　　五年之后，争夺自朝鲜王朝流传下来的“带令熟手刀”的料理大赛即将拉开序幕，各路高手纷纷赶来，意气风发的奉洙对此也是虎视眈眈。而成灿，终于在美食记者智秀（李荷娜 饰）的鼓励下，走出了当年失败的阴影，准备和奉洙再次一决高下，夺回本该属于自己的一切。

 牧羊人乔治（休·杰克曼 饰）最爱给羊群读侦探小说，没想到自己有一天会离奇死亡。他留下的3000万巨额遗产，让每个人貌似都有犯罪动机。警察毫无头绪之时，羊群们决定“不务正业”迈出牧场，追查牧羊人“躺平”真相！它们秉承着遇见麻烦就吃草，嗅到危险就躺倒的哲学，却迎来了一个意想不到的结果……影片改编自莱奥妮·斯万的畅销小说。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment