姨妈佩格 Aunt Peg (1980)
A gorgeous female film producer (Juliet Anderson), a hot-blooded, tempermental Italian director, a dazzlingly beatiful young starlet and a small town teenage seductress all come together in the extremely hot story of AUNT PEG. Peg Norton is not like any aunt you've ever had!! Her success in the film business is taken to new heights by her lust for sex. Her niece Sheila, comes to visit her in Hollywood and before long she finds out just how lusty dear old Aunt Peg can be!! Peg Norton will stop at nothing to satisfy her cravings... even taking Sheila in the end. Don't miss Hollywood, the stars, the movies, and most of all... AUNT PEG! Anthony Spinelli also directed another part from this serie, called Aunt Peg’s Fulfillment
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剧情简介
A gorgeous female film producer (Juliet Anderson), a hot-blooded, tempermental Italian director, a dazzlingly beatiful young starlet and a small town teenage seductress all come together in the extremely hot story of AUNT PEG. Peg Norton is not like any aunt you've ever had!! Her success in the film business is taken to new heights by her lust for sex. Her niece Sheila, comes to visit her in Hollywood and before long she finds out just how lusty dear old Aunt Peg can be!! Peg Norton will stop at nothing to satisfy her cravings... even taking Sheila in the end. Don't miss Hollywood, the stars, the movies, and most of all... AUNT PEG! Anthony Spinelli also directed another part from this serie, called Aunt Peg’s Fulfillment
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第18朵玫瑰
活力少女梦想着一场完美的成人礼，于是与孤独的新来者达成一项协议，但意外的心动和真相也许会让计划彻底泡汤。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
海绵宝宝：深海大冒险
为了证明自己不再是“小不点”，海绵宝宝下定决心，要向蟹老板展现他真正的勇气。 他毅然决然追随那位神秘的、纵横四海的幽灵海盗——“飞天魔鬼”，开启了一段惊心动魄、颠覆想象的深海大冒险！这段旅程将带他闯入深海禁区，见证海绵从未触及的神秘世界！