即刻观影
剧情赏析
编辑推荐
霹雳大喇叭
洪金宝,张学友,王祖贤,姜大卫,冯淬帆,秦沛,胡枫,林正英,元华,元奎,张坚庭陈文俊（洪金宝 饰）和张定其（张学友 饰）只是警队中的无名小卒，却在机缘巧合之下被指派到神探（姜大卫 饰）手下助其侦破“千面人”之案。没想到，一场意外中神探不幸丧生，可是，心愿未了的他显然不愿就此归去，而是化为冤魂，缠上了陈文俊和张定其两人，要他们破案为自己报仇。 神探威胁陈文俊，若不帮他报仇，就要破坏他和女友乔娜（王祖贤 饰）之间的姻缘。经不住神探的死缠烂打和卑鄙威胁，个性胆小怕事的陈文俊只能答应下来。就这样，陈文俊和张定其开始了对案件的追查，在神探的暗中帮助下，他们最终将罪犯捉拿归案，陈文俊和乔娜亦有情人终成眷属。
感恩节
帕特里克·德姆西,泰·奥尔森,吉娜·格申,加布里埃尔·达文波特,凯伦·克里奇,内尔·维拉克,里克·霍夫曼,德里克·麦克加特,凯瑟琳·特罗维尔,杰伦·托马斯·布鲁克斯,米卡·阿蒙森,阿曼达·巴克,沙琳·格里芬,提姆·狄龙,克里斯·桑迪福德,艾蒂森·蕾,托马索·萨内里,珍娜·沃伦,林恩·格里芬一个连环杀人犯前往马萨诸塞州小镇，想把镇上居民打造成感恩节活人雕刻版。
环法
热拉尔·德帕迪约Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet. Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.
杰莎贝尔
莎拉·斯努克,乔丽·卡特,马克·韦伯,安娜·德拉·雷古拉,艾波·斯蒂文斯,布莱恩·哈利塞,拉丽莎·奥蕾尼克,大卫·安德鲁,克里斯·埃里斯,Vaughn Wilson,弗兰·本内特,Paul Garrett,芭芭拉·威特曼,Jason Davis,Lucius Baston平凡女人杰莎贝尔（莎拉·斯努克 Sarah Snook 饰）与男友普瑞斯顿（马克·韦伯 Mark Webber 饰）即将迎来新的生命，当他们准备搬入新家之际，却遭遇一场突如其来的车祸。这场灾难让当下两个最重要的生命从杰莎贝尔的人生中消失，痛不欲生的她拨通了久未谋面的父亲的电话，坐着轮椅回到了位于路易斯安那的老家。某天，杰莎偶然在床下找到一卷母亲当年生她之前录下的影像，画面中妈妈期望女儿能在18岁那年看到录影带，而且用塔罗牌预测了杰莎未来的运势。预言中有一个看不见的灵魂逡巡在杰莎的身旁，而对方却满怀恶意企图将杰莎赶出房子。 在此之后，诡异的梦境和神秘事件接连向杰莎袭来，而她将遭遇最为恐怖的一段噩梦体验……
菲律宾女孩
乔里贝尔·阿戈托,Joanna Marie Banua,安吉莉·芭雅妮,沙梅恩·布埃诺卡米诺,安娜·布金德,卡门·卡斯特利亚诺斯,Bullet Dumas,Teroy Guzman,Nour Hooshmand,阿戈特·伊西德罗,Pipay Kipay,Thea Marabut,米卡·戈麦斯,鲁比·鲁伊斯,伊莎贝尔·西卡特,卡洛斯·西古伊纳-瑞纳,Jewel Sotelo,Sunshine Teodoro,Elle Velasco故事发生在马尼拉一处精英高尔夫球场与乡村俱乐部的封闭生态中：在俱乐部打工的“发球童”伊莎贝尔对俱乐部主席帕兰卡医生产生难以名状的吸引，但当她逐步拼凑出俱乐部光洁表象下的暴力真相时，她意识到这段“迷恋”其实牵连着更阴暗的共同过往。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.