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젊고暂无内容아름다운暂无内容여자暂无内容신혜.暂无内容그녀는暂无内容남편과暂无内容집안暂无内容일暂无内容밖에暂无内容모르는暂无内容현모양처다.暂无内容하지만暂无内容요즘暂无内容그녀에겐暂无内容걱정이暂无内容하나暂无内容생겼다.暂无内容남편과의暂无内容관계가暂无内容점점暂无内容더暂无内容소원해져만暂无内容가고暂无内容있기暂无内容때문.暂无内容자신을暂无内容그림자暂无内容취급하며暂无内容잠자리까지暂无内容거부하는暂无内容남편에暂无内容대한暂无内容불만이暂无内容쌓여갈暂无内容즈음暂无内容기분暂无内容전환을暂无内容위해暂无内容나간暂无内容고교暂无内容동창회에서暂无内容신혜는暂无内容자신의暂无内容첫사랑暂无内容성진을暂无内容다시暂无内容만나게暂无内容된다.暂无内容멋있는暂无内容남자로暂无内容변해暂无内容있는暂无内容성진에게서暂无内容신혜는暂无内容묘한暂无内容설렘을暂无内容느끼게暂无内容되고暂无内容‘외도’라는暂无内容금지된暂无内容유혹에暂无内容자신도暂无内容모르게暂无内容이끌려暂无内容들어가게暂无内容되는데...
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怪物惊魂
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大怪兽加美拉
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等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
华氏247
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