裸身诺曼底
为了抢救生计,他们必须「全裸入镜」 随著肉类价格不断下跌,法国的畜牧业面临前所未有的危机。诺曼第的一个小村庄也面临相同的问题,无奈他们的抗议和示威都无法获得政府的重视。某天一位来自美国的裸体摄影师恰好经过这个小镇,市长因此想出一个绝妙的点子让村民集体拍裸照来获得关注!为了实行这个计画,他必须挨家挨户地说服村民脱掉衣服
在线看
同款热播
命运之书
迈克.梅尔斯,斯宾塞.布莱斯林火、水、风、土、和空气,生命五种核心元素曾经注入在一本书--命运之书。黑暗笼罩了大地,需要借助笔和书的力量,但这本书却失踪了,人们以为它永远消失了,但数百年后却又再度出现……
隔壁的星光
福本莉子,八木勇征,仓悠贵,横田真悠,西垣匠,田锅梨梨花,清水美沙,宫崎吐梦,绀野真昼,野波麻帆,滨野谦太本片改编自同名漫画,讲述了以当红年轻演员的身分开始迈向明星之路的柊木昴(八木勇征 饰),以及他青梅竹马的女高中生天野千明(福本莉子 饰),有着“明星和素人”这种令人着急的关系的超王道爱情故事。
莫·吉里根:活在当下
莫·吉里根Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.
惊门
王子子,彭敬慈,陈芋米,佟月,王远达一个神秘的废弃工厂开始第一天的拍摄。当载着女主角朱莎、副导演、《电影最前沿》节目主持人一梦等人的大巴车到达工厂时,拍摄场地却空无一人,陆主任让大家在工厂内待命,自己则出去给大家买宵夜,等待期间,副导演却离奇死在了浴室 里... 为了查清楚真相,一梦提议大家再去浴室看一看,而录音师多宝、女主角朱莎、司机女儿甜甜则留在服化间,从浴室回来 之后,只见多宝,甜甜和朱莎却失踪了。 陆导迟迟未归、副导演的死,甜甜、朱莎的神秘失踪,带 出了三年前在工厂拍摄时的灵异事件。一连串离奇的事情依然继续.....然而真相却让大家出乎意料。
阿特罗皮亚
阿莉雅·肖卡特,克洛伊·伊斯特,查宁·塔图姆,科洛·塞维尼,简·利维,卡勒姆·特纳,蒂姆·海德克,吉尔·佩雷斯-亚伯拉罕,索尔·洛佩斯,托比·尼克尔斯,托尼·肖卡特,普莉希拉加里塔,吉尔伯托·奥尔蒂斯,Dash Melrose,沙霍莉·艾尔斯,理查德·布莱克蒙,阿里乌斯·巴恩斯,扎赫拉·阿尔祖拜迪,菲尔·伯格斯,肖恩·崔讲述了一位有抱负的女演员在模拟伊拉克战区的美国军事训练基地工作的故事。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster