极乐酷刑

7.0 播放:93万 更新:2026-05-01

明朝年间,有一无赖魏进忠(林剑峰饰)仰羡先朝大太监刘瑾(麦家【《赤裸红唇》短评:我记得监制是程小东啊,开头那个很是诱惑...看完DVD后发现只有开头的那一幕惊艳,断定此片一定有删减。封面党的噱头,普通的港产犯罪片。】琪饰)之荣华贫贱,特意结识孙太监望能引领入宫。一日,魏与孙欣赏奇技淫巧之杂耍扮演时,孙看中艺妓向泰其(小宫友里饰),并跟班主买下泰其,为施以极乐虐杀自娱。泰其得知后乞求魏同赴私奔,出走当晚,泰其向魏发挥极乐酷刑秘技,魏获真传后,杀掉泰其并割其首级及自宫阳物呈于孙太监以作赎 

播放通道

详细简介

明朝年间,有一无赖魏进忠(林剑峰饰)仰羡先朝大太监刘瑾(麦家【《赤裸红唇》短评:我记得监制是程小东啊,开头那个很是诱惑...看完DVD后发现只有开头的那一幕惊艳,断定此片一定有删减。封面党的噱头,普通的港产犯罪片。】琪饰)之荣华贫贱,特意结识孙太监望能引领入宫。一日,魏与孙欣赏奇技淫巧之杂耍扮演时,孙看中艺妓向泰其(小宫友里饰),并跟班主买下泰其,为施以极乐虐杀自娱。泰其得知后乞求魏同赴私奔,出走当晚,泰其向魏发挥极乐酷刑秘技,魏获真传后,杀掉泰其并割其首级及自宫阳物呈于孙太监以作赎 

同类推荐

寒刀凛

刘峰超,张浩,尹键,肖琳扬

 明朝年间,锦衣卫陆钦因罪被发配充军,途中因缘际会,与樊英押送贪官张嵩回京指认通敌太监王公公。经过生死追逃,最终陆钦牺牲,张嵩抵京,却被王公公处死于监牢。多年后,王公公被樊英击杀,善恶终得报。

留校联盟

保罗·吉亚玛提,多米尼克·塞萨,达明·乔伊·伦道夫,卡丽·普雷斯顿,布雷迪·赫普纳,伊恩·多利,吉姆·卡普兰,迈克尔·普罗沃斯特,安德鲁·加曼,纳希姆·加西亚,斯蒂芬·索恩,吉莲·韦格曼,泰特·多诺万,达比·莉莉·李-斯塔克,比尔·穆托斯,达斯汀·塔克,胡安妮塔·珀尔,亚历山大·库克,利兹·毕晓普,科尔·特里斯坦·墨菲,威尔·萨斯鲍尔

 预科学校巴顿学院的老师保罗(保罗·吉亚玛提 饰)不太受欢迎,不管是学生、老师还是校长,都不太喜欢他,他们觉得他浮夸又僵化。在1970年的圣诞假期,保罗留在了学校监督无法回家的学生。几天后,只有一个学生留了下来——一个名叫安格斯的15岁捣蛋鬼,他是一个被不良行为破坏的好学生,总是在被开除的边缘试探。与保罗和安格斯一起留下的还有学校厨师长玛丽,一个为特权阶层的儿子们提供服务的非裔美国妇女,她自己的儿子最近在越南失踪了。这三个截然不同的失意者组成了一个奇怪的圣诞家庭,在新英格兰大雪纷飞的两个星期里,分享着不幸经历,并意识到他们中没有人感谢自己的过去。

沼泽怪物1982

路易斯·乔丹,阿德里安娜·巴比欧,雷·怀斯

  一名科学家在实验中不小心沾到了一种具有快速成长特性的化学液体,不久,他就变成了半人半兽的水怪。这时,野心分子也想获得这种具有快速成长特性的化学液体的秘密公式,他们遂派员追杀持有科学家记事本的电子专家。后来他们发现了这名科学家的下落,终于在沼泽区这帮野心分子跟科学家变成的水怪展开了决斗。这是一部滑稽可笑的科幻动作片,水怪的化妆和服装都显得愚笨而不能入信,对白亦平淡乏味,整部影片露出了低成本制作的粗糙感

鬼迷藏

Nada Chareontong,Wuttiphat Kijchakan,Long Shi Lee

  

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster