未亡人と女教師
[赶上]我认识两个女人。【解说】尤里和埃里卡是大学同学。Yurie 分道扬镳，成为了一名上班族，Erika 成为了一名高中教师。两人不期而遇，爱上了同一个男人…… “人妻”+“女老师”── 热门类型对接，本作美味翻倍！《又一个XX黑追击者（潜行者）》、《禁忌：红色气味》的滨田典子将饰演寡妇，《危情》、《潜行者》的长坂洋子则饰演女教师。导演是《赤坎日记5》和《危情》的水谷俊之。[故事] Yurie 和 Erika 是大学同学。毕业后，由理惠成为了一名普通的上班族，而艾丽卡则成为了一名高中教师。Yurie 嫁给了她公司老板的第二任妻子，并成为了她高中儿子 Nobuo 的母亲。然而，她的丈夫不久就出车祸去世了。两人再次相遇。Yurie 是 Nobuo 的母亲，Erika 是 Nobuo 的学校老师。年少丧夫、身材火辣的尤里和只为性而有外遇的艾丽卡。青春期的阴霾中，信夫像钟摆一样在两个女人之间摇摆，由梨惠和绘里香开始爱上信夫…… [著作权] (C) 1998 Toei Video Co., Ltd.
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粽邪3：鬼门开
张庭瑚,李兴文,吴奕蓉,许安植,陈博正,刘国劭,李明仓,王彩桦,黄柔闽,陈为民,曾莞婷,邹承恩,陈雪甄,施冬麟,许莉廷,陈少卉,陈昭妃,姜仁,游否希真实的谎言
阿诺·施瓦辛格,杰米·李·柯蒂斯,汤姆·阿诺德,比尔·帕克斯顿,蒂亚·卡雷尔,阿特·马里克,艾丽莎·杜什库,格兰特·赫斯洛夫,查尔顿·赫斯顿,马绍尔·曼尼什,詹姆斯·艾伦,迪特尔·劳特尔,简·莫里斯,卡齐·查普尔,克丽丝蒂娜·怀勒,奥弗·萨姆拉不允许带狗
卡洛·克拉姆林,罗宾·桑德曼,卡塔琳娜·玛丽·舒伯特,斯蒂姆拜尔·蒙克,比内塔·汉森,肖恩·道格拉斯,萨米·施赖恩,维拉·菲,丽莎·里斯纳,奥勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉尔夫·霍尼克,弗兰茨·费迪南德·克劳斯,卡特娅·乌菲尔曼,芬雷·德亚文夺命网红2
卡桑德拉·诺德,乔治娜·坎贝尔,丽莎·德拉马尔,乔纳森·怀特赛尔,维罗妮卡·隆,迪伦·普莱费尔A面B面
陈晓东,张静初,芙蓉姐姐,袁文康,孔维,邓家佳,任泉,王洛勇 Luoyong Wang误人子弟
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月亮中的亚马逊女人
阿瑟尼奥·豪尔,Donald F. Muhich,莫妮卡·加布里埃尔由21 个闹剧穿插一部科幻短片组成的闹剧，导演罗伯特（《怪异的阿尔 杨克维奇》）、约翰（《动物屋》）等等都是环球影片公司的一线导演，他们的共同特点就是在搞怪搞笑方面各有绝招。这些短片大都是对美国夜间电视节目和低成本科幻片的戏仿，故事包括一个男子受到他所住的房子攻击、一场由喜剧演员主持的葬礼和被吸进电视机里的人等等。 眼花缭乱 满嘴放炮
星际之旅：木星计划
让-尼古拉·韦罗,朱莉·佩罗特,Julien Deschamps Jolin,Nadia Essadiqi,Pierre Verville,Marie-Ginette Guay,Roberto Mei,Ted Pluviose,Raphaël Lacaille,Hubert GagnonFour astronauts have to stay 1000 days in a space station around Earth in order to prove that a trip to Europa, one of Jupiter's moon, is possible. The experience goes well until something happens on earth.
铁甲无敌玛利亚
梁朝伟,叶倩文,徐克,林正英,岑建勋,陈国新,林国斌,秦沛太阳党是一个恐怖组织，其首领救世主（林国斌 饰）善于开发战争机器人，他和女友玛利亚（叶倩文 饰）经常利用自己开发的机器人“先锋一号”大肆破坏。由于“先锋一号”威力强大，警方也常常束手无策。小徐原是英雄党的一分子，后来对自己团伙的所作所为深感不满而在师傅的担保下脱离了该组织。一次小徐在酒吧偶遇了专为警方开发战争机器人的专家阿毛（岑建勋 饰），两人一见如故，成为了好朋友。岂料太阳党因此怀疑小徐出卖了自己，因此派出新研制的机器人——外形和玛利亚一模一样的“先锋二号”追杀小徐；更糟糕的是，警方亦因此怀疑阿毛出卖了政府，因而同时派人前来捉捕他们。一对好兄弟，能否逃出生天？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
七月寒潮
迈克尔·C·豪尔,山姆·夏普德,唐·约翰逊,凡妮莎·肖,怀亚特·拉塞尔出于自卫，理查德射杀了侵入自己家中的陌生人。但是他不得不面对死者父亲的残忍报复。然而不久，敌对双方就发现事实并不像表面展现的那么简单，他们不得不联合起来面对黑暗的真相。