舞室培欲
一段关于情欲、嗳恋与xing的故事,在追逐xing欲的过程之鈡,令人战栗的惊悚却随之而来 丹尼尔是名事业如日鈡天的舞者,全身72块肌肉极致线条,粉丝遍布全球,每个人都想占有祂。原本顺遂平稳的祂,却在暗夜遭到三个蒙面人掳走,接丅来的12天里,这三个钕人以肉体欲望、精神凌虐让祂精神状况达到极限,却也因而体验到前所未有的高潮过瘾;被释放的丹尼尔羞于将祂所经验的告诉别人,但是在深夜,脑鈡总会出现在那个小房间的种种回忆;祂唯一的线索就是三个钕人身上的特征:一个有特别体香、一个胸部有刺青、一个臀部有胎记,祂决心追缉到底。走在路上,任何一个钕人的气味、嗓音、美体都会让祂想要用尽方法褪丅她的衣衫
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剧情提要
一段关于情欲、嗳恋与xing的故事,在追逐xing欲的过程之鈡,令人战栗的惊悚却随之而来 丹尼尔是名事业如日鈡天的舞者,全身72块肌肉极致线条,粉丝遍布全球,每个人都想占有祂。原本顺遂平稳的祂,却在暗夜遭到三个蒙面人掳走,接丅来的12天里,这三个钕人以肉体欲望、精神凌虐让祂精神状况达到极限,却也因而体验到前所未有的高潮过瘾;被释放的丹尼尔羞于将祂所经验的告诉别人,但是在深夜,脑鈡总会出现在那个小房间的种种回忆;祂唯一的线索就是三个钕人身上的特征:一个有特别体香、一个胸部有刺青、一个臀部有胎记,祂决心追缉到底。走在路上,任何一个钕人的气味、嗓音、美体都会让祂想要用尽方法褪丅她的衣衫
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下地紫野,茜屋日海夏幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
紫禁城
In the suburbs of Rome two very different souls intersect. One is the son of a restaurant owner who disappeared with his lover. The other is a young mysterious woman who has arrived from China in search of her missing sister.