肉体的信徒
In a genre defined by shocking violence and psychosexual kink, it remains perhaps the most over-the-top "giallo" in EuroCult history: former MGM starlet and doomed James Dean paramour Pier Angeli (two decades past her Golden Globe award for "Most Promising Newcomer" and just one year before her tragic death) star in this ultra-lurid epic packed with decapitations, pet vultures, creepy incest, groovy fashions, cyanide baths, swirly psychedelics, inexplicable plot twists, Nazi death camp flashbacks and more. Eleonora Rossi Drago, Fernando Sancho and Luciano Catenacci co-star in the 1970 sickie that would make Sigmund Freud himself scream in horror. Unfortunately, IN THE FOLDS OF THE FLESH is presently only available with an English-dubbed dialogue track. [Dubbing is generally avoided whenever possible (though not an option in this particular instance).]
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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